Tag: Milwaukee
Four weeks ago I had no idea that I would be creating a post that would be viewed by anyone who accessed Milwaukee Art Museum Blog. When I first started the internship I was ecstatic: Working at the art museum? I was movin’ on up in life. Then when I found out I was going to create a blog post, you could pretty much say my day–if not year–was made.
On a personal level, art has always been a part of my life. Whether it be in dance, thought, or in action; art surrounds me. As an intern here at the Milwaukee Art Museum, my appreciation for creativity, innovation, and artists new and old has only grown. Art as a whole, has changed through time, increasing in meaning and expression. In my eyes, the finished product of art does not need to make complete sense to every individual. The same piece of art I may find beautiful may not meet another’s standards of beauty. Art lives on, beyond the surface of a canvas, in the Museum.
During our internship, we learned in depth about the hard work and dedication that goes into running a museum. The internship was also part of the TED-Ed Clubs pilot program, and we were tasked as a group to create a video about our essential question: “What are museums for?”
Starting from a small art gallery, the Milwaukee Art Museum merged and combined with other organizations and people to form what it is now. With, of course, the help of the community, the Museum has thrived into a famous attraction. A few people from the community went out of their way to start the Museum, and now the Museum is returning the favor to the community as a place to view and learn about art. Visitors even count the Museum one of “the top three of all I’ve seen since traveling around the world.”
When we last left off, Charlotte Partridge was the curator of the Layton Art Gallery, which was located on the northeast corner of North Jefferson street and Mason street. In 1957 the Layton Art Collection joined the Milwaukee Art Institute in the new War Memorial building. Three figures are key to the Layton Art Collection during this third period: Edward Dwight, Tracy Atkinson and Frederick Vogel III.
Last month, I wrote about the first part of the exhibition The Layton Art Collection: 1888-2013. I introduced the great Milwaukee businessman and art patron Frederick Layton, and touched upon the founding of the Layton Art Gallery. The first section ends with the death of Frederick Layton.
The second section, which is my favorite part in the exhibit, starts with Charlotte Partridge.
As you may know from reading Chelsea Kelly’s last blog post, the Milwaukee Art Museum is celebrating its 125th anniversary–-commemorating the big year with three exhibitions. The Layton Art Collection: 1888-2013 is the Chipstone Foundation’s contribution to this great celebration.
The exhibition, open through the end of the year, is located in the Museum’s lower level. It tells the story of the Layton Art Collection, and is divided into three parts: Frederick Layton and the Layton Art Gallery, Charlotte Partridge and Modernism, and American Paintings and Decorative Arts. Each of the sections represents a distinct period in the Layton Art Collection. I will devote one blog post to each period, since each is rich with objects and interesting stories.
On a searingly sun-filled afternoon, I set out on an adventure with my intrepid photographer friend, Meg, seeking the Milwaukee studio where Heather Hambrecht creates her fantastic organic leather handbag line, (h(om)e). We were armed with an address, detailed directions and a GPS—so we weren’t really expecting a grand adventure requiring a one-woman rescue mission to get us through the final blocks to our urban destination.
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Kid Tested, Mother Approved
Brooks Stevens Archive, Milwaukee Art Museum, Gift of the Brooks Stevens Family and the Milwaukee Institute of Art and Design
Stevens, one of the best known industrial designers of the twentieth century, lived and worked right here in Milwaukee, his hometown. While you may not automatically recognize his name, you most certainly will recognize his work: the Oscar-Meyer Weinermobile, Harley Davidson Hydra-glide motorcycle, the Valkyrie coupe sedan, and the round mouth Holsum peanut butter jar–just to name a few! Companies of all sizes, audiences and design needs flocked to Stevens and his firm for over five decades.