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Art Collection Reflection Curatorial

Collection Reflection: Curator Lisa Sutcliffe on John Houck

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

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Art Collection Reflection Curatorial

Collection Reflection: Associate Curator Nikki Otten on Odilon Redon

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

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Art Collection Reflection Curatorial

Collection Reflection: Curator Tanya Paul on Jan van Os

A museum’s collection is, by its very nature, carefully organized, its objects categorized by geographic origin, medium, chronology, and other defining characteristics. However, works of art have many qualities that defy these traditional institutional divisions. Through a series of videos, we will examine these broader elements, seeking commonalities and new ways of connecting the works in the Museum’s collection. We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular. 

In this first iteration, we examine the notion of still life as it has been treated in artwork across time.

We begin with an exploration of a traditional eighteenth-century Dutch flower piece and will build our connections from there.

Tanya Paul is the Isabel and Alfred Bader Curator of European Art. She oversees the research, exhibition, and acquisition of European art at the Museum, primarily focusing on material from the fourteenth century through the early twentieth century.

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Art Curatorial

Peasants and Preservation: The Barbizon School Artists and the Struggle for Fontainebleau Forest

Jean-François Millet, The Shepherdess—large plate, 1862. Etching. Maurice and Esther Leah Ritz Collection, M2004.245. Photo by Efraim Lev-er.
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Art Behind the Scenes Curatorial

The Curators’ Game: Collection Rotation

Hiroshi Sugimoto, Tasman Sea, Ngarupupu, 1990. Gelatin silver print. Purchase, Richard and Ethel Herzfeld Foundation Acquisition Fund, M2001.154. Copy photo by John R. Glembin.

What happens when a group of curators following the Safer at Home order plays a game with works from the Museum’s collection? You’re about to find out.