Alberto Rios is not only one of the Museum’s wonderful third-shift security officers; he is also a talented photographer. You may have seen some of his photos featured on the Museum’s social media pages. He captured this gorgeous sunrise on the East End and an image of Schroeder Galleria lit up for Pride Month, among other views of the Museum. Because he has such a great eye, and he has the unique opportunity to capture the Museum at a time when most are asleep, I asked if he would create a photo diary, taking viewers through one of his shifts. Get a behind-the-scenes—and somewhat eerie—look at the Museum (after dark!) below. —Erin Aeschbacher, associate content writer
Time changes everyone—or almost everyone. Through the years, the Janitor has remained a constant in the galleries of the Milwaukee Art Museum.
As we wait to welcome you back to the Museum, work continues behind the scenes. In the conservation department, we prepare for many different disaster scenarios that might potentially strike our collection. Fire, flood, insect infestations, mold, and even terrorism are all covered in the Museum’s Emergency Preparedness Plan; COVID-19 and Wisconsin’s Safer at Home order are not. Having the Museum closed to the public for an extended period presented us with an entirely new set of challenges.
What happens when a group of curators following the Safer at Home order plays a game with works from the Museum’s collection? You’re about to find out.
Just how does Robert Indiana’s The American LOVE sculpture make its way from the truck bed to become a fixture on the lakefront? What does the back of a Robert Henri painting look like? How does a three-dimensional sculpture get packed for safe travel to Spain?