Categories
Art Curatorial

Highlights of the Chipstone Foundation in the Lower Level

View of Hidden Dimensions installation. Photo by Jim Wildeman
View of Hidden Dimensions installation. Photo by Jim Wildeman

As part of the first stages of the Milwaukee Art Museum’s re-installation, the Lower Level of the Collection is going through some changes. If you haven’t yet done so, go see curator Mel Buchanan and librarian Heather Winter’s 125th anniversary exhibition, which ends with a beautiful rendition of what the Milwaukee Art Museum will look like in the future. Read on for highlights of Chipstone’s collections in the Museum.

Chipstone’s galleries will be de-installed starting on September 17. For those of you that love the Chair Park and the Dave the Potter pot, these will stay up until the end of 2013. So, what does this all mean for you? It means that you should go take a walk through Chipstone’s Cabinet of Curiosities, the Hidden Dimensions Gallery, as well as sit in our round video room before September 17!

View of Loca Miraculi installation by Martha Glowacki. Photo by Jim Wildeman
View of Loca Miraculi installation by Martha Glowacki. Photo by Jim Wildeman

You can experience the three kingdoms in Martha Glowacki’s Loca Miraculi. Try to guess what the connection between the graphite covered taxidermied animals and the Newport high chest is. Spend some time in the ceramics room, opening drawers. Can you find the little babbling grotto? Do you know how agate ware is made (hint: there is a drawer that contains a video of Michelle Erickson explaining the process)? What are some extinct ceramic objects?

View of Hidden Dimensions installation. Photo by Jim Wildeman
View of Hidden Dimensions installation. Photo by Jim Wildeman

Next, go into Hidden Dimensions. Ask yourself questions such as: What did a tea table allow the sitters to do (yes, drink tea, but also something naughtier)? Why would an early 19th century banker have a table with Griffins in his home? Why do some 17th century chairs look like gravestones?

Finally, take a break in the round video room and watch Randy O’Donnell carve wood, Michelle Erickson throw clay, and Steve Farrell turn and make a face jug.

Thank you all for spending time in our galleries, and communicating your thoughts about objects and exhibitions with us! Come visit us at the Chipstone Foundation in Fox Point (open by appointment) or at two exhibitions we are curating at Marquette University’s Haggerty Museum of Art, which will open on January 22.

Claudia Mooney works for Chipstone, the Milwaukee-based foundation dedicated to promoting American decorative arts scholarship. She researches objects and creates relevant programming for Chipstone’s exhibitions at the Milwaukee Art Museum and in the community.

Categories
Behind the Scenes Events

Dave’s Pot and Healthy Words: Fondé Bridges

Healthy Words Mural by Tippecanoe School. Photo courtesy of Fondé Bridges
Healthy Words Mural by Tippecanoe School. Photo courtesy of Fondé Bridges

As is evident from other blog posts, as well as our partnership with the Milwaukee Art Museum, the Chipstone Foundation strongly believes in collaboration. Chipstone’s latest collaboration is with artist, teacher and native Milwaukeean Fondé Bridges.

Bridges has been an artist in residence in Milwaukee Public Schools, community centers and churches for the past 18 years. Fondé, who’s named after Milwaukee’s Fond Du Lac Avenue, has also created public art projects with students at Fond Du Lac and North, as well as Mitchell Airport.

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Art Curatorial Exhibitions

Layton Art Collection: 1888-2013, Part 3

When we last left off, Charlotte Partridge was the curator of the Layton Art Gallery, which was located on the northeast corner of North Jefferson street and Mason street. In 1957 the Layton Art Collection joined the Milwaukee Art Institute in the new War Memorial building. Three figures are key to the Layton Art Collection during this third period: Edward Dwight, Tracy Atkinson and Frederick Vogel III.

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Art Behind the Scenes Curatorial Exhibitions

The Layton Art Collection—1888-2013, Part 2

Charlotte Partridge and Miriam Frink. Filed February 17, 1954. Journal Sentinel Archives
Charlotte Partridge and Miriam Frink. Filed February 17, 1954. Journal Sentinel Archives

Last month, I wrote about the first part of the exhibition The Layton Art Collection: 1888-2013. I introduced the great Milwaukee businessman and art patron Frederick Layton, and touched upon the founding of the Layton Art Gallery. The first section ends with the death of Frederick Layton.

The second section, which is my favorite part in the exhibit, starts with Charlotte Partridge.

Categories
Art Curatorial Exhibitions

The Layton Art Collection—1888-2013, Part 1

Exhibition Title Wall. Photo by Claudia Mooney
Exhibition Title Wall. Photo by Claudia Mooney

As you may know from reading Chelsea Kelly’s last blog post, the Milwaukee Art Museum is celebrating its 125th anniversary–-commemorating the big year with three exhibitions. The Layton Art Collection: 1888-2013 is the Chipstone Foundation’s contribution to this great celebration.

The exhibition, open through the end of the year, is located in the Museum’s lower level. It tells the story of the Layton Art Collection, and is divided into three parts: Frederick Layton and the Layton Art Gallery, Charlotte Partridge and Modernism, and American Paintings and Decorative Arts. Each of the sections represents a distinct period in the Layton Art Collection. I will devote one blog post to each period, since each is rich with objects and interesting stories.