
Most artists begin with a blank canvas. George Morrison began with the shoreline.
Along the beaches of Lake Superior, the Ojibwe artist collected weathered pieces of driftwood shaped by wind, water, and time. In his hands, these ordinary materials became something extraordinary. Rather than using paint to imitate the landscape, Morrison transformed the landscape itself into art, assembling hundreds of pieces of wood into abstract compositions that evoke vast horizons, restless water, and the quiet rhythm of nature.











