Author: Catherine Sawinski

From the Collection: “Orpheus” and Its Mysterious Origins

Post author By Catherine Sawinski
Post date October 9, 2023
No Comments on From the Collection: “Orpheus” and Its Mysterious Origins

Through January 28, 2024, Milwaukee Art Museum visitors have the opportunity to explore an exquisite collection of artworks on view in Art, Life, Legacy: Northern European Paintings in the Collection of Isabel and Alfred Bader. The 75 paintings presented in the exhibition were assembled while the Baders, longtime Museum patrons and supporters, were living in Milwaukee. They not only gave artworks to the Museum—many of which are on view in the collection galleries—but were formative in the development of the European art program at the Museum.

One such artwork is the painting Orpheus by Adriaen van Nieulandt the Younger, on view in gallery S106. The painting shows a popular mythological scene, and closer inspection of the work reveals the artwork’s interesting origins.

Tags European art, From the Collection

Granida and Daifilo: Celebrating Dutch Theater in the Collection of Alfred Bader

Post author By Catherine Sawinski
Post date September 21, 2023
No Comments on Granida and Daifilo: Celebrating Dutch Theater in the Collection of Alfred Bader

Opening September 29 at the Milwaukee Art Museum is Art, Life, Legacy: Northern European Paintings in the Collection of Isabel and Alfred Bader. The 75 paintings presented in the exhibition were assembled while the Baders, longtime Museum patrons and supporters, were living in Milwaukee. They not only gave artworks to the Museum—many of which are on view in the collection galleries—but were formative in the development of the European art program at the Museum.

In anticipation of the exhibition, today we’ll look at two paintings with the same subject that passed through Alfred Bader’s hands: one is on view in the Museum’s collection galleries and the other is in the exhibition.

Art Behind the Scenes Collection Reflection Curatorial European

Questions of Provenance: Recent Discoveries: “Wedding Procession in the Tyrol” by Wilhelm Ludwig Friedrich Riefstahl

Wilhelm Ludwig Friedrich Riefstahl (German, 1827–1888), *Wedding Procession in Tyrol* (detail), ca. 1866. Oil on canvas. Gift of the René von Schleinitz Foundation, M1962.90.

Periodically in the past, the blog has featured a series of posts called “Questions of Provenance,” which discussed issues related to provenance, or the history of ownership of a work of art. Over the next few months, this series will continue with posts highlighting recent research into works in the Milwaukee Art Museum’s collection. In case you missed it, the first one was published in January.

The last story I shared was about an accidental discovery related to the provenance of the painting Dance Under the Linden Tree (1881) by Ludwig Knaus. Today, I’m going to share a similar surprise discovery, about Wedding Procession in the Tyrol by Wilhelm Ludwig Friedrich Riefstahl (German, 1827–1888).

Art Behind the Scenes Collection Reflection Curatorial European

Questions of Provenance: Recent Discoveries: “Dance Under the Linden Tree” by Ludwig Knaus

Post author By Catherine Sawinski
Post date January 20, 2022
6 Comments on Questions of Provenance: Recent Discoveries: “Dance Under the Linden Tree” by Ludwig Knaus

Periodically in the past, the blog has featured a series of posts called “Questions of Provenance,” which discussed issues related to an artwork’s provenance, or its history of ownership. Over the next few months, this series will continue with monthly posts highlighting recent research that focuses on provenance.

The curatorial staff of the Milwaukee Art Museum are constantly researching the collection. Sometimes we request books and articles through interlibrary loan. Other times, we page through archival files either in person or online. And it’s not unusual to talk to colleagues in the field. But believe it or not, every once in a while, an important discovery is made by accident.

Tags European art, From the Collection

Art Behind the Scenes Collection Curatorial European Exhibitions Prints and Drawings

Early Printed Books: A Chance to Turn the Pages

Post author By Catherine Sawinski
Post date July 1, 2021
No Comments on Early Printed Books: A Chance to Turn the Pages

Woodcut by Michael Wolgemut and Wilhelm Pleydenwurff. Printed by Anton Koberger and Johannes Schoensperger, Two leaves from the book The Nuremberg Chronicle (Liber Chronicarum or Weltchronik), with a woodcut of a view of Bamberg, 1493 (detail). Woodcut and letterpress, Purchase, Gertrude Nunnemacher Schuchardt Fund, presented by William H. Schuchardt M1970.51. Photo by John R. Glembin.

I’m a book lover. Always have been, always will be. For me, the physicality of a book—the tactile qualities of holding it in my hands, the smell of the paper and ink, and the sound of turning the pages—it is part of a complete experience that I never want to give up. And I’m not the only one. Although e-readers have taken part of the book market, readers still prefer physical books and physical books outsell e-books.

I don’t own an e-reader, but I do a lot of reading on screens, usually on my computer. Compared to even ten years ago, an enormous amount of important scholarship for the art historian is on the internet. I still conduct good and thorough research using printed books, but it’s amazing what is available with a few taps of the keyboard.

Tags books, European art, prints

Art Collection Curatorial European

The Neapolitan Crèche

Woman holding a baby surrounded by people, angels, and goats — Naples, Italy, “Nativity Scene (Crèche)”, mid-18th century. Polychromed terracotta, painted wood, and fabric, on a later support. Dimensions variable. Gift of Loretta Howard Sturgis, M2006.9.1-.20. Photo by John R. Glembin.

Around December each year the Museum places its beloved Neapolitan crèche in the galleries. I invite you to read on to learn more about it, and about the history of restaging the Nativity scene.

Art Collection Curatorial European

From the Collection: Portrait of Henry VII of England

Post author By Catherine Sawinski
Post date September 29, 2020
5 Comments on From the Collection: Portrait of Henry VII of England

Probably after Meynnart Wewyck, *Henry VII of England*, 1504/09. Bequest of Catherine Jean Quirk, M1989.63. Photo by P. Richard Eells.

Probably after Meynnart Wewyck, Henry VII of England, 1504/09 (detail). Bequest of Catherine Jean Quirk, M1989.63. Photo by P. Richard Eells.

English history can appear to be a long list of kings and queens with the same names. The queen that most of us are familiar with today is Queen Elizabeth II. The first and only other Queen Elizabeth ruled from 1558 to 1603.

Art Collection Curatorial European Exhibitions Prints and Drawings

From the Collection: An Illuminated Manuscript

Post author By Catherine Sawinski
Post date May 14, 2019
2 Comments on From the Collection: An Illuminated Manuscript

French, Leaf from a Liturgical Psalter, early 14th century. Tempera, ink, and gold leaf on parchment. 6 3/8 × 4 7/16 in. (16.19 × 11.27 cm). Milwaukee Art Museum, Gift of Paula Uihlein M1932.108. Photo credit: John R. Glembin — French, *Leaf from a Liturgical Psalter*, early 14th century. Tempera, ink, and gold leaf on parchment. 6 3/8 × 4 7/16 in. (16.19 × 11.27 cm). Milwaukee Art Museum, Gift of Paula Uihlein M1932.108. Photo credit: John R. Glembin

French, *Leaf from a Liturgical Psalter*, early 14th century (detail). Tempera, ink, and gold leaf on parchment. 6 3/8 × 4 7/16 in. (16.19 × 11.27 cm). Milwaukee Art Museum, Gift of Paula Uihlein M1932.108. Photo credit: John R. Glembin

Before the invention of the printing press in the fifteenth century, books were handwritten. Imagine…every time a copy of a text needed to be made, someone had to do it painstakingly by hand. In our world of quick reproductions and the ease of hitting “print”, this can be hard to believe!

The exhibition The Art of Devotion: Illuminated Manuscripts from Local Collections, on view at the Milwaukee Art Museum through June 16, 2019, aims to provide an introduction to these handwritten texts—called manuscripts—that were made in the middle ages and early Renaissance. A good number of those manuscripts are also illuminated, or decorated with gold, silver, and bright colors that make them literally look like they shine from within.

Tags European art, French Art, From the Collection, Illuminated Manuscripts, Medieval art, middle ages, works on paper

Art Collection Curatorial European

From the Collection: An Update on Meissen

Post author By Catherine Sawinski
Post date March 6, 2018
No Comments on From the Collection: An Update on Meissen

Meissen Porcelain Manufactory, Modeled by Ernst August Leuteritz, Probably painted by Carl August Müller, Possibly after Eduard Julius Friedrich Bendemann, *Two-Handled Crater Vase*, ca. 1865 (detail). Hard paste porcelain, hand-painted overglaze decoration, and gilding. Gift of the René von Schleinitz Foundation M1962.248. Photo by John R. Glembin

It’s always exciting when new research comes to light! Just last month, while preparing for a lecture on Meissen in the Milwaukee Art museum collection, I discovered new information related to an object from an earlier post, the Meissen urn.

When last researching the urn in 2015, I was pretty sure that it was made by Meissen Porcelain Manufactory, the important German company, because it was marked on the bottom with crossed swords in blue. It has the snake handles popular on these types of vessels, particularly in the nineteenth century. The scene on the vase is the Greek myth of the Calydonian boar hunt.

Tags European art, From the Collection, meissen, Mythology, porcelain, urn

Art Collection Curatorial European

From the Collection: “St. Nicholas Day by Ferdinand Georg Waldmüller”

Post author By Catherine Sawinski
Post date December 6, 2017
No Comments on From the Collection: “St. Nicholas Day by Ferdinand Georg Waldmüller”

Ferdinand Georg Waldmüller (Austrian, 1793–1865), *St. Nicholas Day*, 1851. Oil on wood panel. Milwauke Art Museum, Gift of the René von Schleinitz Foundation M1962.124. Photo by John R. Glembin.

Today, in celebration of the holiday season, we’re going to discuss one of my favorite paintings in the collection.

In St. Nicholas Day, painter Ferdinand Georg Waldmüller (1793–1865) shows an Austrian family celebrating the feast of St. Nicholas on December 6. On St. Nicholas Eve, Austrian children would put their shoes on the windowsill. If they had behaved well all year, the children would discover the next morning that St. Nicholas had filled their shoes with fruit, sweets, and small toys.

Tags 19th Century Art, Christmas, Ferdinand Georg Waldmüller, From the Collection, genre, German Art, Holidays