Happy Birthday, Frida Kahlo!

 Frida Kahlo's "Self-Portrait with Monkey" can be seen displayed in "Van Gogh to Pollock: Modern Rebels," at MAM through September 20th

Frida Kahlo’s “Self-Portrait with Monkey” can be seen displayed in “Van Gogh to Pollock: Modern Rebels,” at MAM through September 20th

From June 18 to September 20, the Milwaukee Art Museum is proud to temporarily house works by some of the most famous artists in history in an exhibition titled Van Gogh to Pollock: Modern Rebels. One such rebel artist, whose painting Self-Portrait with Monkey is displayed in this extraordinary exhibition, is Frida Kahlo. In honor of her 108th birthday on July 6, we celebrate the life and mind of this strong woman and creative artist.

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From the Collection–Wassily Kandinsky’s Fragment I for Composition VII

Many of the artists featured in the special exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery are also represented in the collection of the Milwaukee Art Museum. This is the second in a series of blog posts that will highlight Milwaukee’s artworks during the run of the exhibition.

Wassily Kandinsky (Russian, 1866–1944), Fragment I for Composition VII (Center), 1913. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1958.12. Photo credit: Larry Sanders.

Wassily Kandinsky (Russian, 1866–1944), Fragment I for Composition VII (Center), 1913. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1958.12. Photo credit: Larry Sanders.

Only one artwork from the Milwaukee Art Museum’s own collection is displayed as part of the newly-opened Modern Rebels exhibition: Wassily Kandinsky’s Fragment I for Composition VII. When one reads the title of the equally vibrant artwork from the Albright-Knox Gallery hung next to it, the reason for its inclusion becomes instantly clear.

Fragment I for Composition VII, meet Fragment II for Composition VII.

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From the Collection–Theseus by Jacques Lipchitz

Jacques Lipchitz (French, b. Lithuania, 1891–1973, active in the United States), Theseus, 1942. Hollow bronze cast. height: 23 3/4 in. (60.33 cm). Milwaukee Art Museum, Gift of Mrs. William D. Vogel M1956.80. Photo credit: Larry Sanders. © Estate of Jacques Lipchitz, all rights reserved.

Jacques Lipchitz (French, b. Lithuania, 1891–1973, active in the United States), Theseus, 1942. Hollow bronze cast. height: 23 3/4 in. (60.33 cm). Milwaukee Art Museum, Gift of Mrs. William D. Vogel M1956.80. Photo credit: Larry Sanders. © Estate of Jacques Lipchitz, all rights reserved.

Many of the artists featured in the special exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery are also represented in the collection of the Milwaukee Art Museum. This is the first in a series of blog posts that will highlight Milwaukee’s artworks during the run of the exhibition.

Knowledge of classical mythology is one of those subjects that will always help the student of art history, no matter what period you study. Over the last few years, I have explored mythological subjects in the Milwaukee Art Museum’s collection represented in ancient Greek hydriae; Baroque decorative arts and painting; and nineteenth century German ceramics.

Modern art is no exception. We have to look no further than the sculptures of Jacques Lipchitz (1891–1973).

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Questions of Provenance—Nazi-era Germany

This post is the second to introduce a series that that will highlight some of the interesting provenance cases in the Milwaukee Art Museum’s Collection. 

Adolf HItler presents Hermann Goering with The Falconer, 1880, by 19th century Austrian painter Hans Makart. Library of Congress.

Adolf HItler presents Hermann Goering with The Falconer, 1880, by 19th century Austrian painter Hans Makart. Library of Congress.

To fully understand how important provenance research is for museums, we will need to look more at the period of art looting that is most familiar to many: the Nazi period in Germany. Continue reading

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Reflections of an Intern: On Teaching and Mission Statements

The 2015 Spring Satellite Interns. Photo by Front Room Photography

The 2015 Spring Satellite Interns. Photo by Front Room Photography

Reflecting back on my time at the Milwaukee Art Museum interning with the Satellite High School Program brings many valuable memories and thoughts to the surface. I’ve been privileged to have had the opportunity to work with dozens of bright, creative, and enthusiastic students from high schools around Milwaukee. Looking back on those weekly Thursday meetings, there are too many good times to mention. There were not so good times too–students having difficulty with final projects, frustrations with resume editing, and challenges giving tours to younger kids. These are the situations that make a pre-service teacher like me stronger; I was forced to come up with strategies for helping to work through student’s problems along with them in a way that was conducive to their unique learning styles. Continue reading

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