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Art Behind the Scenes Curatorial

From the Vault: Rubber Stamp Portfolio, 1977

Tom Wesselmann (American, 1931–2004), Shiny Nude, from the Rubber Stamp Portfolio, 1976, published 1977. Rubber stamp print, printed in color. Image: 5 7/8 × 5 11/16 in. (14.92 × 14.45 cm); sheet: 8 × 8 in. (20.32 × 20.32 cm). Gift of Virginia M. and J. Thomas Maher III M1994.263.1. © Estate of Tom Wesselmann/Licensed by VAGA, New York, NY.
Tom Wesselmann (American, 1931–2004), Shiny Nude, from the Rubber Stamp Portfolio, 1976, published 1977. Rubber stamp print, printed in color. Image: 5 7/8 × 5 11/16 in. (14.92 × 14.45 cm); sheet: 8 × 8 in. (20.32 × 20.32 cm). Gift of Virginia M. and J. Thomas Maher III M1994.263.1. © Estate of Tom Wesselmann/Licensed by VAGA, New York, NY.

As the Collections Manager of Works on Paper, one of my duties is to facilitate the movement of the prints, drawings and photography in the collection for exhibitions, rotations, loans and viewings for researchers in the Herzfeld Study Center.

Our works on paper storage vault is organized into logical, easy-to-use groupings by size, century, nationality and then by artist’s last name (OK; it’s highly organized).

While pulling a print to go on view in the galleries, I stumbled upon a print by Carl Andre from a portfolio that I have never worked with before.

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Art Museum Store

Milwaukee Studio Visit and Coloring Book Collaboration: Reginald Baylor

Cover art for the Collector’s Edition coloring book with Baylor’s drawing of The Wood Gatherer, 1881 by Jules Bastien-Lepage.
Cover art for the Collector’s Edition coloring book with Baylor’s drawing of The Wood Gatherer, 1881 by Jules Bastien-Lepage.

This coloring book is a perfect dialogue between myself as an artist and the art museum in my hometown. –Reginald Baylor

Ted and I visited Reginald Baylor’s studio space in development in Milwaukee’s Sherman Park neighborhood to talk about his new coloring book collaboration with the Art Museum during a freakishly cold spring storm.

Car heater roaring and windshield wipers racing, we pulled up to a charming mid-century building on the corner of Sherman and North that was clearly undergoing an exciting renovation and re-invention by the Finney Arts Incubator.

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Art News Museum Store

Sunny Does Milwaukee

Sunny at Stone Creek CoffeeMAM’s furriest friend, Sunny, from Alex Katz’s popular painting, has emBARKed on a staycation while the Museum undergoes renovations.

Read on to follow his adventure around the Milwaukee area. Then see him again at the Milwaukee Art Museum’s Community Free Day: Fresh Family Fun on Sunday, December 6! Admission to this event is FREE, thanks to Kohl’s!

 

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Art

Bradley Collection Celebrates 40th Anniversary!

Mrs. Harry L. Bradley standing standing her "Girl in a Straw Hat" on exhibition in "Pierre Bonnard, The Museum of Modern Art, New York, October 7-November 29, 1964.
Mrs. Harry L. Bradley standing standing her “Girl in a Straw Hat” on exhibition in “Pierre Bonnard” exhibition at The Museum of Modern Art, New York, October 7-November 29, 1964.

This year the Milwaukee Art Museum celebrates the fortieth anniversary of the Mrs. Harry L. Bradley Collection. Upon its donation in 1975, the collection elevated the status of the Milwaukee Art Museum from a local art museum to a museum with a world-class collection.

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Art Curatorial

Matisse versus Picasso

Matisse's colorful "La Musique" is featured in the exhibition Van Gogh to Pollock: Modern Rebels. Come check it out! Photo by the author.
Matisse’s colorful “La Musique” is featured in the exhibition Van Gogh to Pollock: Modern Rebels. Come check it out! Photo by the author.

“If I were not making the paintings I make, I would paint like Matisse,” Pablo Picasso once said of his rival and dear friend, Henri Matisse. Both artists are featured in the Milwaukee Art Museum’s latest exhibition, Van Gogh to Pollock: Modern Rebels.

In the early twentieth century, the relationship between Picasso and Matisse had developed out of a nature of competitiveness and grew to be one of mutual admiration—at times. When Picasso came onto the European modern art scene, Matisse, being eleven years older, had already established himself as a rebel in that world. After meeting in 1906 at the Parisian salon of famous writer Gertrude Stein, the two artists would continuously look to one another’s work to both pose criticism and find inspiration.