Today, in celebration of the holiday season, we’re going to discuss one of my favorite paintings in the collection.
In St. Nicholas Day, painter Ferdinand Georg Waldmüller (1793–1865) shows an Austrian family celebrating the feast of St. Nicholas on December 6. On St. Nicholas Eve, Austrian children would put their shoes on the windowsill. If they had behaved well all year, the children would discover the next morning that St. Nicholas had filled their shoes with fruit, sweets, and small toys.
The current exhibition in the European works on paper rotation space (on view until December 3) isThe Temple of Flora. The show features fifteen large-scale color prints from the illustrated book The Temple of Flora. They reflect the true passion of English doctor John Robert Thornton: botany. In honor of the Swedish botanist Carl Linnaeus (1707–1778), Thornton hired eminent artists to produce the engravings, envisioning a series of seventy plates. The extreme cost of hiring top artists to create such labor-intensive prints, however, resulted in the creation of only thirty-three plates, which he released individually between 1799 and 1812. Learn more about what makes these prints so unique with today’s post.
Giving a bouquet of flowers to your sweetheart? You’d probably agree, that’s very romantic!
It makes sense, then, that the prints of flowers from the series known as The Temple of Flora would be Romantic, too, right? Well, kind of.
Notice that I wrote Romantic, with a capital “R”. What does that mean?
Romanticism is one of those “isms” that art historians like to use. These terms provide general information about the style and context of an artwork. They offer guidelines for further exploration. For example, in an earlier post, we learned about the style called Mannerism. Romanticism, like Mannerism, is more complicated than a single term suggests but provides a good starting point.
So, let’s take a closer look at The Temple of Flora and see how these flower prints are Romantic.
The current exhibition in the European works on paper rotation space (on view until April 2) isGods and Heroes: Classical Mythology in European Prints. The show features 21 prints that cover the Renaissance through the early twentieth century and are by artists from Germany, Holland, France, Italy, and England. Each print offers insight into why European artists used the narratives of classical mythology. This is the third and final in a series of posts focusing on the exhibition.
Remember how French Rococo artist Jean Honoré Fragonard showed satyrs as lighthearted, family-orientated creatures?
Well, today we’re going to see how another artist used those creatures to represent something totally different.
The Milwaukee Art Museum’s current feature exhibition,Milwaukee Collects, includes more than 100 objects from nearly 50 private collections in the Greater Milwaukee area. It offers an opportunity to see treasures that are typically not on public view. At the same time, it reminds us that the Milwaukee Art Museum’s collection is part of a long tradition of collecting in the community. This is the first in a series of blog posts that will explore the provenance of selected artworks in the collection and how they came to be here.
Last summer, we took a closer look at a little gem of a painting in the European collection: Three Cuirassiers by Henri de Toulouse-Lautrec (French, 1864–1901). It is a rare early oil painting by the great Post-Impressionist artist, done when Lautrec was only fourteen! So, how did the painting come to be in Wisconsin, at the Milwaukee Art Museum? Let’s take a closer look at the provenance trail.
There are some things in the Museum that are always changing—exhibition galleries, works on paper, portrait miniatures. But sometimes we make smaller changes to those galleries that seem to be “permanent”. For instance, every once in a while, individual artworks disappear from the walls and are replaced by others. Have you ever wondered why?
In today’s post, we’ll take a look at two different reasons that paintings in the European galleries have gone off view and learn a little about the things that replaced them.