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Art Exhibitions

Happy Birthday, Andy Warhol!

Andy Warhol's 100 Cans in the exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery. Photo by the author.
Andy Warhol’s 100 Cans in the exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery. Photo by the author.

Today we celebrate the birthday of famous American pop artist Andy Warhol. The Milwaukee Art Museum’s permanent collection boasts a number of works by Warhol, but one of his most iconic pieces is featured in the Museum’s current temporary exhibition, Van Gogh to Pollock: Modern Rebels. The piece, titled 100 Cans, was completed in 1962.

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Art Curatorial

From the Collection–Chaïm Soutine’s Children and Geese

Many of the artists featured in the special exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery are also represented in the collection of the Milwaukee Art Museum. This is the third in a series of blog posts that will highlight Milwaukee’s artworks during the run of the exhibition.

Chaïm Soutine (Russian, 1893–1943, active in France), Children and Geese, 1934. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1959.375. Photo credit: Efraim Lev-er. ©2010 Artists Rights Society (ARS), New York / ADAGP, Paris.
Chaïm Soutine (Russian, 1893–1943, active in France), Children and Geese, 1934. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1959.375. Photo credit: Efraim Lev-er. ©2010 Artists Rights Society (ARS), New York / ADAGP, Paris.

Comparing the painting by Chaïm Soutine (Russian, 1893–1943, active in France) in the Modern Rebels show (Carcass of Beef) with the one in the Milwaukee Art Museum’s collection (Children and Geese, seen at left), it is almost difficult to believe that the two works are by the same artist. The former depicts the body of a cow, flayed open from neck to tail, its scarlet inner organs glistening vividly against the shadowed blue background. In contrast, the artwork within Milwaukee’s own collection is a simple rural scene: a young boy and girl walking down a country path, with abstract brushstrokes suggesting a flock of white geese beside them.

A shockingly graphic image of blood and death versus an innocent, bucolic portrayal of childhood. How could these two works have been painted by the same artist?

Categories
Art Exhibitions

Happy Birthday, Frida Kahlo!

 Frida Kahlo's "Self-Portrait with Monkey" can be seen displayed in "Van Gogh to Pollock: Modern Rebels," at MAM through September 20th
Frida Kahlo’s “Self-Portrait with Monkey” can be seen displayed in “Van Gogh to Pollock: Modern Rebels,” at MAM through September 20th

From June 18 to September 20, the Milwaukee Art Museum is proud to temporarily house works by some of the most famous artists in history in an exhibition titled Van Gogh to Pollock: Modern Rebels. One such rebel artist, whose painting Self-Portrait with Monkey is displayed in this extraordinary exhibition, is Frida Kahlo. In honor of her 108th birthday on July 6, we celebrate the life and mind of this strong woman and creative artist.

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Art Curatorial

From the Collection–Wassily Kandinsky’s Fragment I for Composition VII

Many of the artists featured in the special exhibition Van Gogh to Pollock: Modern Rebels, Masterworks from the Albright-Knox Art Gallery are also represented in the collection of the Milwaukee Art Museum. This is the second in a series of blog posts that will highlight Milwaukee’s artworks during the run of the exhibition.

Wassily Kandinsky (Russian, 1866–1944), Fragment I for Composition VII (Center), 1913. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1958.12. Photo credit: Larry Sanders.
Wassily Kandinsky (Russian, 1866–1944), Fragment I for Composition VII (Center), 1913. Oil on canvas. Milwaukee Art Museum, Gift of Mrs. Harry Lynde Bradley M1958.12. Photo credit: Larry Sanders.

Only one artwork from the Milwaukee Art Museum’s own collection is displayed as part of the newly-opened Modern Rebels exhibition: Wassily Kandinsky’s Fragment I for Composition VII. When one reads the title of the equally vibrant artwork from the Albright-Knox Gallery hung next to it, the reason for its inclusion becomes instantly clear.

Fragment I for Composition VII, meet Fragment II for Composition VII.

Categories
Art Curatorial

From the Collection–Dancer Holding her Right Foot in her Right Hand by Edgar Degas

Edgar Degas (French, 1834–1917), Dancer Holding Her Right Foot in Her Right Hand [Danseuse tenant son pied droit dans la main droit], ca. 1904; cast 1919–20. Bronze. Purchase, Bradley Conservation Endowment Fund M1984.70. Photo credit: John R. Glembin.
Edgar Degas (French, 1834–1917), Dancer Holding Her Right Foot in Her Right Hand [Danseuse tenant son pied droit dans la main droit], ca. 1904; cast 1919–20. Bronze. Purchase, Bradley Conservation Endowment Fund M1984.70. Photo credit: John R. Glembin.
Though many of his formal principles are similar, Edgar Degas (1834–1917) stands out from the other major Impressionists because of his decision to depict urban spaces and the people that inhabit them, rather than natural landscapes. Arguably Degas’ most famous subject is the Parisian Opéra and its ballet dancers.