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Art Curatorial

From the Collection–Dancer Holding her Right Foot in her Right Hand by Edgar Degas

Edgar Degas (French, 1834–1917), Dancer Holding Her Right Foot in Her Right Hand [Danseuse tenant son pied droit dans la main droit], ca. 1904; cast 1919–20. Bronze. Purchase, Bradley Conservation Endowment Fund M1984.70. Photo credit: John R. Glembin.
Edgar Degas (French, 1834–1917), Dancer Holding Her Right Foot in Her Right Hand [Danseuse tenant son pied droit dans la main droit], ca. 1904; cast 1919–20. Bronze. Purchase, Bradley Conservation Endowment Fund M1984.70. Photo credit: John R. Glembin.
Though many of his formal principles are similar, Edgar Degas (1834–1917) stands out from the other major Impressionists because of his decision to depict urban spaces and the people that inhabit them, rather than natural landscapes. Arguably Degas’ most famous subject is the Parisian Opéra and its ballet dancers.

Categories
Art Curatorial

From the Collection–Léon Augustin Lhermitte’s “Haymaking Time”

Léon-Augustin Lhermitte, Haymaking Time (La Fenaison), 1897. Oil on canvas, 29 1/2 x 38 1/4 in. Milwaukee Art Museum, Purchase with funds from Avis Martin Heller in honor of the Fine Arts Society, M2010.68. Photo by John R. Glembin.

On October 14, the Milwaukee Art Museum opened the exhibition Impressionism: Masterworks on Paper.

The exhibition perfectly sets the scene for looking at a painting recently acquired by the Milwaukee Art Museum, shown at left as it looks mid-conservation.

Haymaking Time (La Fenaison) by the French artist Léon Augustin Lhermitte (1844–1925) is one of the most important paintings by an artist who was extremely influential in his day, but is not a household name today.

This painting can begin a conversation about how wide-ranging the term “impressionism” can be, and who was part of that celebrated movement, and who was not.