There are some things in the Museum that are always changing—exhibition galleries, works on paper, portrait miniatures. But sometimes we make smaller changes to those galleries that seem to be “permanent”. For instance, every once in a while, individual artworks disappear from the walls and are replaced by others. Have you ever wondered why?
In today’s post, we’ll take a look at two different reasons that paintings in the European galleries have gone off view and learn a little about the things that replaced them.
Duane Hanson’s lifelike Janitor (1973) is one of the Museum’s most beloved works of art. It generates curiosity on many levels: How did the artist make the sculpture so realistic? What does this photo-realistic artwork mean? What does he wear under his uniform? How does the Museum take care of this unusual work of art?
To that final question, “carefully and creatively” is the answer that the Museum’s Docents recently learned from senior conservator Jim DeYoung. The Milwaukee Art Museum agreed to loan Janitor to the Walker Art Center for the Lifelike exhibition, Feb 25 – May 27, 2012. In preparation for the artwork’s exhibition in Minneapolis, Jim’s conservation team turned their restoration attention and considerable skills to making Janitor appear in pristine condition and ready for travel.
The details of this restoration are fascinating.
Curious about how a conservator cleans 40-year-old human hair affixed to plastic? Hint: They don’t use Head and Shoulders shampoo. Read on to find out more!
The year 2012 is considered the 50th anniversary of the American Studio Glass movement. The anniversary is being celebrated with exhibitions and events across the country, organized in large part by the Art Alliance for Contemporary Glass.
The Milwaukee Art Museum has a terrific collection of studio glass, and we were thrilled to be part of the celebration. Along one wall of the newly-designed Kohl’s Art Generation Studio is a new installation that celebrates using glass as a medium of creative impulse.
The glass sparkles, tells an important art history story, and I hope that its visual beauty inspires young artists as they create their own artwork nearby.
What is the American Studio Glass movement, and what is this anniversary?
The exhibition perfectly sets the scene for looking at a painting recently acquired by the Milwaukee Art Museum, shown at left as it looks mid-conservation.
Haymaking Time (La Fenaison) by the French artist Léon Augustin Lhermitte (1844–1925) is one of the most important paintings by an artist who was extremely influential in his day, but is not a household name today.
This painting can begin a conversation about how wide-ranging the term “impressionism” can be, and who was part of that celebrated movement, and who was not.