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Art Collection Curatorial European

From the Collection—Charlotte-Françoise DeBure by Catherine Lusurier

Charlotte-Françoise DeBure PAINTINGS Lusurier, Catherine French, 1752-1781 1776 Oil on canvas H. 29 1/2 x 24 in. Bequest of Arthur & Noryne Riebs (M1959.80)
 Catherine Lusurier (French, ca. 1752-1781), “Charlotte-Françoise DeBure”, 1776. Oil on canvas, 29 1/2 x 24 in. Milwaukee Art Museum, Bequest of Arthur & Noryne Riebs. (M1959.80) Photo by Larry Sanders.

One thing to keep in mind when you look at art is not to trust the labels. Well, I don’t mean the labels that museums put on the wall next to the artwork–we try to make those as accurate as possible. I mean that you should not trust the little metal plaques that sometimes decorate the frames of many older artworks. Why? Let me tell you one an example.

Tucked in one of the side niches in the Museum’s 18th-century French room, Gallery #8, is a painting of a young girl. Decked out in her lace finery, her blonde hair pulled back with a pink ribbon in that matches her pink dress and posed with a basket of flowers, she is the epitome of a blushing sweet child.

The ornately carved frame has a metal label at center bottom that reads “H. DROUAIS, le fils”. You’d assume this must be the artist or the subject. But upon looking at the Museum’s object label, you see that the painting is a likeness of young Charlotte-Françoise DeBure by the artist Catherine Lusurier, who lived from about 1753 to 1781. Neither of them is named Drouais.

So, what’s going on with that frame plaque?

Categories
Art Curatorial

From the Collection—Caspar David Friedrich

Although the Milwaukee Art Museum has a fantastic collection of German art, one of the things I wish we had is a painting by Caspar David Friedrich (1774-1840).

Friedrich is one of the most important German artists from the Romantic period of the early 19th century, and his paintings are showstoppers. A deeply religious man from the Protestant North, Friedrich believed that both landscape and human creativity revealed God’s truth and beauty.

Combine this sentiment with artistic talent, and you have powerful and fascinating paintings rich in symbols and atmospheric effects. Here you can see some examples of Friedrich’s paintings at a Boston College website.

But, as I said, for the time being the Museum’s permanent collection doesn’t include a painting by Friedrich. There is no need to entirely despair, however, because we do have two works on paper by Friedrich. One of them, The Woman with the Raven at the Abyss, is on view right now in the exhibition Framing a Decade (on view in the Koss Gallery through April 3, 2011). This work alone is worth a visit to the show, but there are so many wonderful things included in the exhibition (and all of them in our Collection!) that you will walk away amazed. Although he had a lengthy career, Friedrich’s printmaking output was limited to eighteen etchings and four woodcuts. The designs for the woodcuts were cut into the blocks by Friedrich’s younger brother, Christian Friedrich, who was a cabinet-maker.

Categories
Art Curatorial

From the Collection–Auguste Rodin’s The Kiss

Auguste Rodin (French 1840-1917), The Kiss (Paolo and Francesca), 1886. Painted plaster 34 x 20 1/2 x 23 1/4 in. Milwaukee Art Museum, Gift of Mrs. Will Ross in Memory of Her Husband (M1966.117). Photo by Larry Sanders.

There is no ignoring it: today is Valentine’s Day.

There is also no ignoring the fact that love and lust have inspired terrific artwork. Perhaps the best artwork, if you are a romantic like me. I’m obviously not the first in the blogosphere to notice this–last week a sweet “10 Best Art Kisses of All Time” article made the email/Facebook/blog rounds. And, raise your hand if you ever had Gustav Klimt’s 1907 The Kiss on a poster? Me too.

In the Museum’s collection, a classic work to single out that focuses on art and love is the plaster cast of Auguste Rodin’s The Kiss (Paolo and Francesca). When I revisited The Kiss, my first question was:

Who are Paolo and Francesca?

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Art Art News

Packers, Steelers, and Impressionism

Gustave Caillebotte, Boating on the Yerres (Périssoires sur l’Yerres), 1877 (detail). Oil on canvas. Milwaukee Art Museum, Gift of the Milwaukee Journal Company, in honor of Miss Faye McBeath. Photo by John R. Glembin
Gustave Caillebotte, Boating on the Yerres (Périssoires sur l’Yerres), 1877. Oil on canvas. Milwaukee Art Museum, Gift of the Milwaukee Journal Company, in honor of Miss Faye McBeath. Photo by John R. Glembin

All of my friends and coworkers can attest to just how ridiculously excited I was after the Packers and the Steelers won the playoff games. Full confession, though—it’s not because I’m a football fan. Nah. It’s because I knew this meant my current workplace, Milwaukee Art Museum, of course, and my former workplace, the Carnegie Museum of Art (yep, I’m from the ‘Burgh), would be pitted against each other in the now-annual Super Bowl Art Bet.

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Art Curatorial

Gothic Ivories Project

It’s always exciting to be contacted by colleagues at other museums about objects in the Museum’s permanent collection.  It helps us find out more information about what we have!

In early 2010, I was contacted by Dr. Catherine Yvard, the project manager for the Gothic Ivories Project at the Courtauld Institute in London.

The goal of the project was to produce an electronic catalogue of images and information about sculptures in ivory made in Europe between 1200 and 1530, as well as modern imitations.  This database, which required the cooperation of many different institutions around the world, would give researches a powerful tool.

The last comprehensive survey of Gothic ivories was published in 1924, so you can see that an updated catalogue is overdue!

Categories
Art Exhibitions

From the Collection: Claude Mellan’s “The Sudarium”

Claude Mellan, The Sudarium, 1649, printed ca. 1720 (detail). Engraving. Milwaukee Art Museum, Gift of the Hockerman Charitable Trust. Photo by John R. Glembin
Claude Mellan, The Sudarium, 1649, printed ca. 1720. Engraving. Milwaukee Art Museum, Gift of the Hockerman Charitable Trust. Photo by John R. Glembin

So your family members (or out-of-town friends, or in-laws, take your pick!) are in town for the holidays, presents have been opened, feasts eaten, and now you need to entertain them. Naturally, you bring them to the Museum, knowing that you’ll be able to impress them with the architecture, a work of art in and of itself. But you want to impress them in the galleries, too; you want to show them something so incredible that it’ll even stun the know-it-all of the group.

Categories
Art Curatorial

My Favorite Portrait Miniatures

I can’t believe that we’re already at the last week of the exhibition Intimate Images of Love and Loss: Portrait Miniatures.  Once the show closes this Sunday, October 31, these incredible, tiny masterpieces go back into Museum storage.

In a world before photography, portrait miniatures were the wallet photographs or their day. Made to be held, worn, and hung on the wall of the home as a type of “family album,” the small-scale portraits afford us an extremely personal glimpse into the past.  Here are a few of my favorites: