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Art Behind the Scenes Curatorial Education Events Exhibitions

The House of Cards Project

spiral
UWM-Milwaukee Peck School of the Arts students (left to right) Anna Emerson, Paul Manley, and Jessica Schubkegel installing the House of Cards spiral. Photo: Ray Chi.

In the early 1950s, designers Charles and Ray Eames painstakingly arranged penny cars, pencils, pills, and papers to photograph for their House of Cards construction set. They probably never imagined that decades later, thousands of children and adults in the Milwaukee region would meticulously decorate their own House of Cards, let alone that these cards would be installed together in a towering spiral at the Milwaukee Art Museum in conjunction with the exhibition Serious Play: Design in Midcentury America.

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Art Curatorial

From Museum Storage–Beneath a Ray and Charles Eames LCW Chair

Charles Eames (American, 1907–1978) and Ray Eames (American, 1916–1988), DCW (Dining Chair Wood), 1948. Manufactured by Evans Products Co, Distributed by Herman Miller Inc. Molded birch plywood, rubber shockmounts. Milwaukee Art Museum, Gift of Kenneth and James Kurtz M1976.66. Photo credit John Nienhuis.

Late in 2010 I advocated that the Museum accept a Ray and Charles Eames DCW (“Dining Chair Wood”) into the Permanent Collection.

No big surprise there, as this bent plywood chair is the iconic work of two of the most influential 20th-century furniture designers. It is a must-have for any design collection!

However, this chair wasn’t the Museum’s first Eames object. The Collection already included one DCW chair (pictured at left), a 1946 folding plywood screen, and several examples of the World War II U.S. Navy leg splint that bolstered Ray and Charles’ experiments in complex two-way bent molded plywood.

So why an additional example of the DCW? And, why this one?

Well, to tell the truth, I put in to motion the Museum’s acceptance of the DCW based on a hunch…and I just might be wrong.