Jules Bastien-Lepage, Le Père Jacques (Woodgatherer), 1881. Milwaukee Art Museum, Layton Art Collection, Gift of Mrs. E. P. Allis and her daughters in memory of Edward Phelps Allis. Photo by John R. Glembin.
When I was a freshman in high school, I came to the Milwaukee Art Museum on a field trip with my art class. We were instructed to sit in front of Jules Bastien-Lepage’s The Woodgatherer (1881) and take as many notes as possible on what we saw and what it meant to us, so that we could later write a paper on it.
On Tuesday, October 26, the Museum will start its “Soup for Soup” food drive to benefit Hunger Task Force of Milwaukee. Every visitor who makes a donation at the Museum will receive a voucher for a complimentary cup of soup at the Museum’s own Cafe Calatrava. “Soup for Soup” runs through Sunday, November 14. Stop by the admissions desks to learn more.
Francisco de Zurbarán, Saint Francis of Assisi in His Tomb, ca. 1630/34 (detail). Purchase M1958.70. Photo credit John Nienhuis, Dedra Walls
Francisco de Zurbarán, Saint Francis of Assisi in His Tomb, ca. 1630/34. Purchase M1958.70. Photo credit John Nienhuis, Dedra Walls
Ever wondered what it’s like to experience a religious epiphany? Just walk into Gallery 6 and look to Francisco de Zurbarán’s St. Francis of Assisi in His Tomb, one of the great masterpieces in the Museum’s Collection. St. Francis towers above us in a massive, stark painting, lit only by unseen torchlight, his face hidden and a skull cradled in his palms. The space is unclear, the colors muted. He is monumental, and walks towards us: his foot pokes out of his robes, entering into our space. When I stand in front of this painting, I always feel like I should take a step back and get out of his way.
Satellite students study Northern Baroque works in the Collection galleries.
Satellite students have been tagging, talking, and sketching in the past two weeks at the Museum. Traveling through Italy, the Netherlands, Spain, and France (virtually, of course), we’ve looked at figural paintings, portraits, and still lifes, and have even done some time-traveling to compare artwork hundreds of years apart.
I recently had the opportunity to represent the Milwaukee Art Museum at the Fine Furnishings & Fine Craft Show held at The Garage at the Harley-Davidson Museum. First of all—what a great venue! If you haven’t yet been to the Harley-Davidson Museum, the cool industrial architecture is definitely worth checking out. Also, the Show was a perfectly timed experience for me, with the European Design Since 1985: Shaping the New Century exhibition open at the same time at the Milwaukee Art Museum. Our exhibition explores notions of design as either primarily for function, or for a more conceptual idea. I was able to see more examples of how craft and design intersect at the Fine Furnishings Show. Apart from one prototype plastic chair, the objects there demonstrate a beautiful melding of function and handcrafted one-of-kind design.
Monografía: Las Obras de José Guadalupe Posada, Grabador Mexicano. Authored by Frances Toor, Pablo O'Higgins, and Blas Vanegas Arroyo. Introduction by Diego Rivera. Publisher: México: Mexican Folkways, 1930. Gift of Philip Pinsof
In honor of the upcoming celebration for Día de los Muertos (Day of the Dead), I thought I’d share with you one of my favorite rare books in the Museum’s Collection, the Monografía: Las Obras de José Guadalupe Posada, Grabador Mexicano. This first edition monograph, published in 1930, includes 406 of the estimated 20,000 works cut by the illustrator and engraver José Guadalupe Posada (Mexican, 1851–1913).
Chuck Close, Lucas/Woodcut, 1993. Woodcut with pochoir. 46 ½ x 36 in. (sheet, approx.), edition of 50. From a charitable trust.
Attention art lovers: The Art Auction, sponsored by the Museum’s Contemporary Art Society, is happening this Saturday, October 23. Place your bids on over 150 items up for auction, currently on display in the Contemporary Galleries. The Art Auction is a semi-annual event that raises money to benefit new acquisitions for the Museum. Don’t miss out! Tickets are still available.
For those interested in learning more, there will be a Gallery Talk with Chief Curator Brady Roberts on The Art Auction on Tuesday, October 19 at 1:30 p.m. The talk is free with Museum admission.
Jean-Honoré Fragonard, The Shepherdess, ca. 1750/52 (detail). Bequest of Leon and Marion Kaumheimer. Photo credit John Nienhuis, Dedra Walls
Jean-Honoré Fragonard, The Shepherdess, ca. 1750/52. Bequest of Leon and Marion Kaumheimer. Photo credit John Nienhuis, Dedra Walls
In my high school art history class, my teacher, having covered with reverence the high-contrast drama of the Baroque, flipped the slide machine to show Jean-Honoré Fragonard’s The Swing and paused, glaring at the slide in the darkened room. Then she pronounced: “The Rococo. I loathe the Rococo! The Rococo is art history’s porn!”
Since I started working (almost two years ago!) on the exhibition European Design Since 1985: Shaping the New Century, I’ve been on a personal scavenger hunt. I want to gather as many of the featured designs “in the wild” as possible. Sure, these fabulous contemporary designs are easy to spot in museums or galleries, but my goal is to find them in hotel lobbies and friends’ apartments.