The current exhibition in the European works on paper rotation space (on view until July 30) is Alluring Artifice: Mannerism in the Sixteenth Century. The show features 30 prints that explore Mannerism, a movement that emerged in European art around 1510-20 and lasted until about 1600. Characterized by densely packed compositions and a focus on the human form, the style resulted in images that are deliberately challenging in both design and technique. One of the prints featured in the show is Preparations for the Wedding Banquet of Cupid and Psyche, an important recent acquisition by the Italian female engraver Diana Mantuana (ca. 1547–1612), who is sometimes referred to as Diana Scultori.
It’s hard to study art and not learn something about classical mythology. The gods and heroes of ancient Greece and Rome are not only prevalent in ancient art (as in the Museum’s two Greek Hydria), but in later periods such as the Renaissance (which saw a “rebirth” of classical antiquity, which you can see in our Orpheus Clock) and the Neoclassical era (a perfect example is Hiram Powers’ Proserpine).
So, for the next two months, I want to take you on a tour of the Museum Collection with mythology as our theme. And what’s fun about myth is that once you learn some of the basics in iconography, or the standard in how figures and stories are depicted, you’ll be able to recognize it in other works at other museums, and even in daily walks around your city or shopping mall.