Each year, the Museum produces a gift exclusively for Members who renew early, in response to the first notice that their membership is about to expire. In 2020, we worked with Orchard Street Press, in St. Francis, to produce a distinct Member tote bag. The bag features an original design by Alison Kleiman, design and brand lead at the Museum, that is a playful abstraction of the Museum’s Burke Brise Soliel, affectionately known as the “wings.”
This year marks the 45th year the Milwaukee Art Museum has hosted the Scholastic Art Awards: Wisconsin Exhibition, celebrating the artistic talent of students in grades 7–12 from across our state. Unlike in years past, the exhibition is entirely virtual, with more than two hundred works available for viewing through March 21, 2021.
Selecting the works to include in the annual Scholastic exhibition is a challenge in normal times. When twenty-nine arts professionals from across Milwaukee’s creative community gathered online in early January to judge the over 1,800 art submissions, they all agreed this exhibition of next-generation art felt more essential than ever.
One of the best parts of living in Wisconsin for many is the snowy winters. While the joy of snow days might not be the same for adults as for kids, the fun of making snow angels or the thrill of throwing a snowball never fades. I remember spending hours digging tunnels through snow drifts that couldn’t possibly have been as tall in life as they exist in my memory. I wouldn’t come inside until my masterpiece was finished…or my toes were numb.
As we settle into this cold winter, there are two things that can help us thrive: art and the great outdoors. That’s why the Kohl’s Art Studio is teaming up with the Urban Ecology Center (UEC) to encourage everyone to bundle up and get creative together—outside!
Although this year we cannot gather at the Museum to see the Neapolitan crèche in the European galleries, an annual tradition for many, it is still possible to appreciate the joy this special tableau brings.
Back in early 2018, Tanya Paul, Isabel and Alfred Bader Curator of European Art, proposed that the Museum again install its Nativity scene, or crèche, in the galleries for the holidays. The work, a visitor favorite, hadn’t been on view since 2013, because the setting for the Holy Family and other figures was worn and needed repair—such stage sets are often fragile constructions that require replacing. The Museum’s setting needed either to be restored or refabricated. The decision was made to make a new stage set, and a group of us, from the Conservation department and the preparatory staff, started to explore the possibilities.
Around this time each year the Museum places its beloved Neapolitan crèche in the galleries. But because the Museum is temporarily closed through the holiday season, we unfortunately can’t share the crèche with you in person. I invite you, however, to read on to learn more about it, and about the history of restaging the Nativity scene.
Nearly forty years ago, in 1981, a group of twelve Museum Members with an interest in prints and drawings established Print Forum. George Evans and Kent Anderson served as the group’s first president and vice-president, respectively. One of the Museum’s nine currently active support groups, Print Forum is among the longest standing.
When I returned to the Milwaukee Art Museum after the state’s Safer at Home order, one of the first things I did was visit an old friend: Saint Francis of Assisi in His Tomb (1630/34) by the Spanish artist Francisco de Zurbarán. I’ve walked by the painting nearly every workday in my time at the Museum, but never have I been more appreciative of its quiet contemplativeness and the sense of stability it brings me. Indeed, the painting is such a fixture of the Museum that it is hard to imagine that it was ever not here, that it lived in three different countries, across two continents, before arriving in Milwaukee.
Alberto Rios is not only one of the Museum’s wonderful third-shift security officers; he is also a talented photographer. You may have seen some of his photos featured on the Museum’s social media pages. He captured this gorgeous sunrise on the East End and an image of Schroeder Galleria lit up for Pride Month, among other views of the Museum. Because he has such a great eye, and he has the unique opportunity to capture the Museum at a time when most are asleep, I asked if he would create a photo diary, taking viewers through one of his shifts. Get a behind-the-scenes—and somewhat eerie—look at the Museum (after dark!) below.
—Erin Aeschbacher, associate content writer
We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.