Follow along with Milwaukee Art Museum Assistant Curator of European Art as she unravels a surprise discovery that leads to previously undocumented provenance.
Search: “Questions of Provenance”
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The Milwaukee Art Museum’s Assistant Curator of European Art finds new provenance for a German painting. Keep reading to see if all its mysteries are solved.
The Milwaukee Art Museum’s current feature exhibition, Milwaukee Collects, includes more than 100 objects from nearly 50 private collections in the Greater Milwaukee area. It offers an opportunity to see treasures that are typically not on public view. At the same time, it reminds us that the Milwaukee Art Museum’s collection is part of a […]
The Milwaukee Art Museum’s current feature exhibition, Milwaukee Collects, includes more than 100 objects from nearly 50 private collections in the Greater Milwaukee area. It offers an opportunity to see treasures that are typically not on public view. At the same time, it reminds us that the Milwaukee Art Museum’s collection is part of a long […]
The Milwaukee Art Museum’s current feature exhibition, Milwaukee Collects, includes more than 100 objects from nearly 50 private collections in the Greater Milwaukee area. It offers an opportunity to see treasures that are typically not on public view. At the same time, it reminds us that the Milwaukee Art Museum’s collection is part of a long […]
In the past, in posts related to provenance (or the history of an artwork, such as who has owned it and where it’s been), we’ve talked a little bit about credit lines. Credit lines are the part of an object label that tells you how the Milwaukee Art Museum acquired that artwork. The most common […]
In the first part of this post, using the Milwaukee Art Museum’s painting Doubting Thomas, we explored the biography and style of Dutch artist Adriaen van der Werff (a self-portrait of him from the Rijksmuseum is to the left). This week, we’re going to trace the provenance of Doubting Thomas and see what it tells us about the […]
Remember in an earlier post when I said that the study of provenance can tell us a lot about the history of taste? We’ll see how by taking a closer look at one of the paintings in the collection of the Milwaukee Art Museum. The painting is Doubting Thomas—sometimes called The Incredulity of St. Thomas—by […]
With The Marriage Trap as an example, we have seen that it is an immense task to do provenance research for all paintings that were probably in Europe from 1933 through 1945! Museums, however, have accepted this ongoing project as an important part of the stewardship of their collections. In this particular instance, at least we […]
In the last two posts we’ve looked at the earliest known and most recent provenance of our painting The Marriage Trap. We also know that in 1947 the painting was processed at the Munich Central Collecting Point, or MCCP. This means that the painting was looted by the Nazis during World War II. The MCCP […]
