Art Curatorial

#AskACurator Day 2020

On Wednesday, September 16, we invited the Museum’s social media followers to ask the curators anything—and they delivered! Check out some of the questions and responses below.

Ariel Pate, assistant curator of photography, giving a gallery talk in the Herzfeld Center for Photography and Media Arts. Photo by Kat Schleicher.
Art Education

I Have “Big Adventures” at the Museum, Thanks to the Americans with Disabilities Act

July marked the thirtieth anniversary of the Americans with Disabilities Act. July was also when the Museum reopened to the public after being closed for four months to help slow the spread of COVID-19. The pandemic has necessarily brought new attention to concerns about safety and access—something that Museum docent Mauree Childress, who uses a wheelchair, said “people with disabilities have top of mind whenever they leave home—pandemic or not.” Based on conversations we’ve had over the years, I invited Mauree to write about her experience as a person with a disability who frequents the Museum—and what the anniversary of the ADA meant to her. —Amy Kirschke, director of adult, docent, and school programs

Art Membership

Donor Profile: The Krei Family

The Krei family (L-R: Melinda, Andrew, Margaret, and Ken) celebrates Andrew
and Margaret’s wedding at the Museum.
Art Education Studio at Home

Kohl’s Art Generation Studio at Home: Making in the Moment

Learn about an abstract painting, and then make a summer-inspired work of your own.

Art Education Studio at Home

Kohl’s Art Generation Studio at Home: Paint and Pour

When you look at the painting below, what do you see? American artist Helen Frankenthaler (1928–2011) was an Abstract Expressionist; these artists used line, shape, and color to express themselves.

Frankenthaler invented her own painting technique, which she called “soak staining.” First, she added turpentine to her oil paints to make them thinner (and very runny!). Then, she laid a cotton canvas flat on the floor, and poured, dripped, and brushed the paint onto its surface. Since her canvases were unprimed, or raw, the paint soaked into the fabric.

The swirling lines and shapes in Frankenthaler’s works show how her arms moved across the canvas. Look at the painting below. Can you try to copy the artist’s movement? Now, it’s your turn to try “soak staining”! Follow a few easy steps to create your own Helen Frankenthaler–inspired masterpiece.

Helen Frankenthaler (American, 1928–2011), Hotel Cro-Magnon, 1958. Oil on canvas, 68 × 81 in. (172.72 × 205.74 cm). Gift of Mrs. Harry Lynde Bradley M1966.153. © 2010 Helen Frankenthaler / Artists Rights Society (ARS), New York