“Have you ever walked past Sunny #4 and not smiled?” That was the question Mrs. Kari Hahm, a teacher at Zion Lutheran School, posed to the Museum when she recently shared the chalk drawings her students made, at home, of Alex Katz’s Sunny #4.
American artist Al Held (1928–2005) was an abstract painter, most famous for his large-scale, geometric works. His paintings are full of circles, squares, cubes, and other geometric shapes and forms that overlap. In the painting below, he used a masking technique to create lines with sharp edges. He masked (covered) the white sections with tape and painted the remaining sections black.
Here’s how you can make your own geometric painting using materials you may already have at home:
Do you remember a time when you wanted a new toy that looked awesome in its box? Maybe you were drawn to the bright colors, fun characters, and exciting words that covered the outside. Or have you ever wanted to try a new snack because the pictures on the packaging made it look extra flavorful?
Celebrated Wisconsin artist and beloved University of Wisconsin–Madison professor Truman Lowe passed away on March, 30, 2019, leaving behind a powerful legacy.
As the Collections Manager of Works on Paper, one of my duties is to facilitate the movement of the prints, drawings and photography in the collection for exhibitions, rotations, loans and viewings for researchers in the Herzfeld Study Center.
Our works on paper storage vault is organized into logical, easy-to-use groupings by size, century, nationality and then by artist’s last name (OK; it’s highly organized).
While pulling a print to go on view in the galleries, I stumbled upon a print by Carl Andre from a portfolio that I have never worked with before.
Now that it’s finally starting to feel like summer, let’s talk about dandelions. Sure, they’re technically weeds, and you probably don’t want them taking over your lawn. But it’s fun to make wishes on the white puffy ones, even if it does scatter seeds and just increases the dandelion population exponentially.
It’s not unusual to see the work of an engineer at an art museum—especially here in Milwaukee. From the first step under the stunning Brise Soleil in the Quadracci Pavilion of the Milwaukee Art Museum, it becomes clear that an incredible mind must have devised this unique building. But what you may not know is that inside this engineering marvel, there is artwork by another artist with an engineering background: Jim Campbell’s Taxi Ride to Sarah’s Studio.
A man’s suit is not an unusual sight within an art museum–though usually one would expect such a garment to be worn by a visitor, and not hanging up on the wall as a work of art itself. Yet this is the case with Joseph Beuys’ artwork, entitled Felt Suit (Flizanzug). It consists of simply that: a man’s suit, made entirely of a soft grey felt, suspended neatly on a hanger on the museum wall. In the large gallery space, surrounded by brightly-colored canvases and monumental works of sculpture, this piece seems quite out-of-place. It is easy to imagine amusing backstories for the existence of this intriguing piece of clothing–perhaps a curator had brought a suit to change into for an evening event, yet had no room to hang it in his office, so he simply wandered into the galleries and hung it upon an unused nail?
Walking through the center of the Milwaukee Art Museum’s main level galleries, visitors often become aware of something out of place: a single, monotone voice echoing faintly through the spacious galleries. Those curious enough to follow the noise to its source will stumble upon an unexpected scene. Just around the corner from the central staircase, a small cloth doll lies on the museum floor, a bright yellow folding chair leaning precariously against its head. Projected onto the doll’s blank head is the expressionless face of an adult man, speaking a series of short phrases slowly and deliberately.
One cannot walk through the doors of the Milwaukee Art Museum without taking in a colorful burst of Dale Chihuly’s glass artwork. The Museum’s Isola di San Giacomo in Palude Chandelier II (at left) is one of the most popular works in the Museum, located at the entry of the Quadracci Pavilion. Milwaukee’s Suzy B. Ettinger, who was recently featured in a great Milwaukee Journal Sentinel Style article, donated the artwork in 2001 to brighten the Museum’s new white Santiago Calatava-designed addition.
Museum visitors have been posing for photos with it ever since (it even appears snaking behind my own mother in her Facebook profile picture). Chihuly’s universal popularity encourages many museums to place his glass artwork front and center as a cheerful greeting.
In fact, in the almost 50 years since he lived and studied in Wisconsin, no other artist can claim to have brought as much popular attention to American art glass as Dale Chihuly.
This weekend, Wisconsin is celebrating Chihuly’s achievements.