Art Curatorial

The Neapolitan Crèche

Naples, Italy, “Nativity Scene (Crèche)”, mid-18th century. Polychromed terracotta, painted wood, and fabric, on a later support. Dimensions variable. Gift of Loretta Howard Sturgis, M2006.9.1-.20. Photo by John R. Glembin.

Around this time each year the Museum places its beloved Neapolitan crèche in the galleries. But because the Museum is temporarily closed through the holiday season, we unfortunately can’t share the crèche with you in person. I invite you, however, to read on to learn more about it, and about the history of restaging the Nativity scene.

Art Art News Curatorial Membership

Happy 40th Anniversary Print Forum

Warrington Colescott (American, 1921–2018), “I Ride with the Blue Riders. We Visit die Brücke Picnic and Enjoy a Bratwurst, Reminding Me of Summer in Milwaukee,” from the portfolio “My German Trip,” 1992. Color soft-ground etching, spit bite bitumen aquatint, and color relief; plate: 11 13/16 × 13 7/8 in., sheet: 14 11/16 × 20 in. Purchase with funds from Print Forum, M2006.38.9. Photo by Michael Tropea. © Warrington Colescott

Nearly forty years ago, in 1981, a group of twelve Museum Members with an interest in prints and drawings established Print Forum. George Evans and Kent Anderson served as the group’s first president and vice-president, respectively. One of the Museum’s nine currently active support groups, Print Forum is among the longest standing.

Art Library/Archives

A Painting, a Director, and the Mexican Film Industry

Francisco de Zurbarán (1598–1664), “Saint Francis of Assisi in His Tomb,” 1630/34. Oil on canvas. Purchase, M1958.70. Photo by John R. Glembin.

When I returned to the Milwaukee Art Museum after the state’s Safer at Home order, one of the first things I did was visit an old friend: Saint Francis of Assisi in His Tomb (1630/34) by the Spanish artist Francisco de Zurbarán. I’ve walked by the painting nearly every workday in my time at the Museum, but never have I been more appreciative of its quiet contemplativeness and the sense of stability it brings me. Indeed, the painting is such a fixture of the Museum that it is hard to imagine that it was ever not here, that it lived in three different countries, across two continents, before arriving in Milwaukee.

Art Behind the Scenes Museum Buildings

A Night at the Museum

Alberto Rios is not only one of the Museum’s wonderful third-shift security officers; he is also a talented photographer. You may have seen some of his photos featured on the Museum’s social media pages. He captured this gorgeous sunrise on the East End and an image of Schroeder Galleria lit up for Pride Month, among other views of the Museum. Because he has such a great eye, and he has the unique opportunity to capture the Museum at a time when most are asleep, I asked if he would create a photo diary, taking viewers through one of his shifts. Get a behind-the-scenes—and somewhat eerie—look at the Museum (after dark!) below. —Erin Aeschbacher, associate content writer

Art Collection Reflection Curatorial

Collection Reflection: Curator Margaret Andera on Beth Lipman

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.