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Art Art News Collection Curatorial Membership Prints and Drawings

Happy 40th Anniversary Print Forum

People riding into a party on horseback
Warrington Colescott, I Ride with the Blue Riders. We Visit die Brücke Picnic and Enjoy a Bratwurst, Reminding Me of Summer in Milwaukee, from the portfolio My German Trip, 1992. Color soft-ground etching, spit bite bitumen aquatint, and color relief; plate: 11 13/16 × 13 7/8 in., sheet: 14 11/16 × 20 in. Purchase with funds from Print Forum, M2006.38.9. Photo by Michael Tropea. © Warrington Colescott
People riding into a party on horseback
Bratwurst, Reminding Me of Summer in Milwaukee, from the portfolio My German Trip, 1992. Color soft-ground etching, spit bite bitumen aquatint, and color relief; plate: 11 13/16 × 13 7/8 in., sheet: 14 11/16 × 20 in. Purchase with funds from Print Forum, M2006.38.9. Photo by Michael Tropea. © Warrington Colescott

Nearly forty years ago, in 1981, a group of twelve Museum Members with an interest in prints and drawings established Print Forum. George Evans and Kent Anderson served as the group’s first president and vice-president, respectively. One of the Museum’s nine currently active support groups, Print Forum is among the longest standing.

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Art Collection Curatorial European Library/Archives

A Painting, a Director, and the Mexican Film Industry

Francisco de Zurbarán, Saint Francis of Assisi in His Tomb, 1630/34. Oil on canvas. Purchase, M1958.70. Photo by John R. Glembin.
Man in brown hooded robe looking down at a skull in his hands
Francisco de Zurbarán, Saint Francis of Assisi in His Tomb, 1630/34 (detail). Oil on canvas. Purchase, M1958.70. Photo by John R. Glembin.

When I returned to the Milwaukee Art Museum after the state’s Safer at Home order, one of the first things I did was visit an old friend: Saint Francis of Assisi in His Tomb (1630/34) by the Spanish artist Francisco de Zurbarán. I’ve walked by the painting nearly every workday in my time at the Museum, but never have I been more appreciative of its quiet contemplativeness and the sense of stability it brings me. Indeed, the painting is such a fixture of the Museum that it is hard to imagine that it was ever not here, that it lived in three different countries, across two continents, before arriving in Milwaukee.

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Art Behind the Scenes Museum Buildings

A Night at the Museum

Alberto Rios is not only one of the Museum’s wonderful third-shift security officers; he is also a talented photographer. You may have seen some of his photos featured on the Museum’s social media pages. He captured this gorgeous sunrise on the East End and an image of Schroeder Galleria lit up for Pride Month, among other views of the Museum. Because he has such a great eye, and he has the unique opportunity to capture the Museum at a time when most are asleep, I asked if he would create a photo diary, taking viewers through one of his shifts. Get a behind-the-scenes—and somewhat eerie—look at the Museum (after dark!) below.
—Erin Aeschbacher, associate content writer

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Art Collection Collection Reflection Contemporary Curatorial

Collection Reflection: Curator Margaret Andera on Beth Lipman

Various glassware stacked and laid out on top of a short, black, wooden table
Beth Lipman, Laid Table (Still Life with Metal Pitcher), 2007. Blown, sculpted, lamp-worked, and kiln-formed glass on wood table. 85 × 103 × 96 in. (215.9 × 261.62 × 243.84 cm). Purchase, Jill and Jack Pelisek Endowment, Jack Pelisek Funds, and various donors by exchange M2009.48. Photo credit by John R. Glembin © Beth Lipman
Various glassware stacked and laid out on top of a short, black, wooden table
Beth Lipman, Laid Table (Still Life with Metal Pitcher), 2007. Blown, sculpted, lamp-worked, and kiln-formed glass on wood table. 85 × 103 × 96 in. (215.9 × 261.62 × 243.84 cm). Purchase, Jill and Jack Pelisek Endowment, Jack Pelisek Funds, and various donors by exchange M2009.48. Photo credit by John R. Glembin © Beth Lipman

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

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Art Museum Buildings

The Poem that Inspired the Name “Windhover Hall”

Water and sunshafts reflecting through Windhover Hall

Did you know that the Museum’s Windhover Hall was named after one of donor Harry Quadracci’s favorite poems: The Windhover (published 1918) by Gerard Manley Hopkins? Read the full poem, and hear the work read aloud by Alicia Rice, Kohl’s Art Generation Community Relations Coordinator.

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Art Collection Curatorial European

From the Collection: Portrait of Henry VII of England

Probably after Meynnart Wewyck, Henry VII of England, 1504/09. Bequest of Catherine Jean Quirk, M1989.63. Photo by P. Richard Eells.
Man with medium-length hair wearing a black hat and a red and yellow robe
Probably after Meynnart Wewyck, Henry VII of England, 1504/09 (detail). Bequest of Catherine Jean Quirk, M1989.63. Photo by P. Richard Eells.

English history can appear to be a long list of kings and queens with the same names. The queen that most of us are familiar with today is Queen Elizabeth II. The first and only other Queen Elizabeth ruled from 1558 to 1603.

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Art Education Studio at Home

Kohl’s Art Generation Studio at Home: Art About Work

Man in a straw cowboy hat holding a boot and a Wisconsin belt buckle

Make your own drawing inspired by the action-packed artwork of Luis Jiménez.

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Art Curatorial

#AskACurator Day 2020

Woman in short hair and glasses talking to a small group of people about art
Ariel Pate, assistant curator of photography, giving a gallery talk in the Herzfeld Center for Photography and Media Arts. Photo by Kat Schleicher.

On Wednesday, September 16, we invited the Museum’s social media followers to ask the curators anything—and they delivered! Check out some of the questions and responses below.

Categories
Art Education

I Have “Big Adventures” at the Museum, Thanks to the Americans with Disabilities Act

Woman with short blonde hair and a bright green top sitting in a wheelchair talks to a small group of young boys at a Museum
Photo by Matt Haas

July marked the thirtieth anniversary of the Americans with Disabilities Act. July was also when the Museum reopened to the public after being closed for four months to help slow the spread of COVID-19. The pandemic has necessarily brought new attention to concerns about safety and access—something that Museum docent Mauree Childress, who uses a wheelchair, said “people with disabilities have top of mind whenever they leave home—pandemic or not.” Based on conversations we’ve had over the years, I invited Mauree to write about her experience as a person with a disability who frequents the Museum—and what the anniversary of the ADA meant to her.
—Amy Kirschke, director of adult, docent, and school programs

Categories
Art Membership

Donor Profile: The Krei Family

Bride and groom standing with a set of parents in the Museum; Krei family
The Krei family (L-R: Melinda, Andrew, Margaret, and Ken) celebrates Andrew and Margaret’s wedding at the Museum.
The Krei Family Sponsors a Month of Free Admission in Memory of Melinda Krei

The Museum is honored to have received the Krei family’s tremendous gift to support amonth of free admission for all visitors when we reopened to the public this past summer. The family provided the sponsorship in memory of the late Melinda Krei, and comments from guests overwhelmingly expressed their thanks to the family.

“Melinda was one of the Museum’s greatest advocates, and her legacy is sharing the comfort and inspiration she found here with the community during this challenging time,” said Marcelle Polednik, PhD, Donna and Donald Baumgartner Director, Milwaukee Art Museum.