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American Art Collection Collection Reflection Curatorial

Collection Reflection: Curator Brandon Ruud on Severin Roesen

Man talking to the camera in his home office

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

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Art Collection Education Haitian Studio at Home

Kohl’s Art Generation Studio at Home: Father Knows Best

Three men sitting in chairs in front of a building
Philomé Obin and Antoine Obin, Philomé, Sénéque and Antoine Obin seated in front of the Cap-Haitian branch of the Centre d’ Art, 1970. Gift of Richard and Erna Flagg, M1991.144. Photo by Efraim Lev-er.
Philomé Obin and Antoine Obin, Philomé, Sénéque and Antoine Obin seated in front of the Cap-Haitian branch of the Centre d’ Art, 1970 (detail). Gift of Richard and Erna Flagg, M1991.144. Photo by Efraim Lev-er.

Artist Philomé Obin and his son, Antoine, worked together to complete this painting. In the work, you can see Philomé on the left, Antoine on the right, and Philomé’s brother, Sénéque, who was also an artist, in the center. They are sitting in front of the Centre d’Art in their hometown of Cap-Haïtien. Philomé opened this school and gallery as a branch of the Centre d’Art in Port Au Prince, Haiti. 

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Art Collection Education Haitian Studio at Home

Kohl’s Art Generation Studio at Home: Recycled Metal Masterpiece

Sculpture made of recycled metal in the shape of a sitting child
Georges Liautaud, Child of the Sea, ca. 1959 (detail). Cut and forged metal. Gift of Richard and Erna Flagg.
Sculpture made of recycled metal in the shape of a sitting child
Georges Liautaud, Child of the Sea, ca. 1959. Cut and forged metal. Gift of Richard and Erna Flagg.

When it comes to materials, many artists are resourceful. To create his sculptures, Haitian blacksmith Georges Liautaud (1899–1991) used discarded steel drums that were left on the island. Liautaud cut and flattened the round drums, used fire to clean off the oil and dirt, and drew designs on the metal in preparation for sculpting. He then cut, punched holes in, and embossed (or pushed into the metal to create raised marks) the material. He was the first artist to create sculptures in this way. Liautaud taught this technique to many other blacksmiths and artists in Haiti. Today, it is still one of the country’s most popular art forms.

Categories
Art Collection Contemporary Education

Brighten Your Day with Sunny

Gray, long-haired dog sitting in a field by the lake with its tongue out
Alex Katz, Sunny #4, 1971. Oil on canvas. Gift of Mrs. Harry Lynde Bradley. Photo by John R. Glembin. © 2019 Alex Katz/Artist Rights Society (ARS), New York
Gray, long-haired dog sitting in a field by the lake with its tongue out
Alex Katz, Sunny #4, 1971 (detail). Oil on canvas. Gift of Mrs. Harry Lynde Bradley. Photo by John R. Glembin. © 2019 Alex Katz/Artist Rights Society (ARS), New York

“Have you ever walked past Sunny #4 and not smiled?” That was the question Mrs. Kari Hahm, a teacher at Zion Lutheran School, posed to the Museum when she recently shared the chalk drawings her students made, at home, of Alex Katz’s Sunny #4.

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Art Education Studio at Home

Kohl’s Art Generation Studio at Home: Make a Sketchbook

Pieces of paper folder up with holes punched down the seam

Do you need a place to keep all your creative ideas? Sketchbooks are a great option. Their pages can hold a jumble of doodles, notes, finished works of art—or all of the above! Artists often use their sketchbooks to work out big ideas and practice their drawings. Follow the steps below to create your own sketchbook!

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Art Education

“One of the Best Days of the Year:” The Art of Writing Conference

Children sitting in the Museum gallery writing

On the first Monday in December, the Milwaukee Art Museum opens its doors to a passionate group of young people from the greater Milwaukee area. Dedicated educators and organizers prepare to greet more than 500 students in grades 3 through 12 who have come to be inspired by the thousands of works of art and express themselves through writing and drawing. This annual event is called the Art of Writing Young Authors and Artists Conference.

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Art Collection Collection Reflection Curatorial Photography and Media Arts

Collection Reflection: Curator Lisa Sutcliffe on John Houck

Two glass jars, one with paint and one with water and a brush
John Houck, First Set, 2015 (detail). Inkjet print. Image and sheet: 21 1/2 × 27 1/2 in. (54.61 × 69.85 cm). Purchase, with funds in memory of Betty Croasdaile and John E. Julien, M2016.76. Photo courtesy of On Stellar Rays, New York, New York. © John Houck
Two glass jars, one with paint and one with water and a brush
John Houck, First Set, 2015 (detail). Inkjet print. Image and sheet: 21 1/2 × 27 1/2 in. (54.61 × 69.85 cm). Purchase, with funds in memory of Betty Croasdaile and John E. Julien, M2016.76. Photo courtesy of On Stellar Rays, New York, New York. © John Houck

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

Categories
Art Collection Contemporary Education Studio at Home

Kohl’s Art Generation Studio at Home: Shape and Line

Abstract art with black and white shapes
Al Held, Inversion XIII, 1977 (detail). Acrylic on canvas, 96 × 144 1/4 in. (243.84 × 366.4 cm). Gift of Herbert H. Kohl Charities, Inc. M1983.208 Photo by P. Richard Eells © 2017 Al Held Foundation, Inc. / Licensed by Artists Rights Society (ARS), New York
Abstract art with black and white shapes
Al Held, Inversion XIII, 1977. Acrylic on canvas, 96 × 144 1/4 in. (243.84 × 366.4 cm). Gift of Herbert H. Kohl Charities, Inc. M1983.208 Photo by P. Richard Eells © 2017 Al Held Foundation, Inc. / Licensed by Artists Rights Society (ARS), New York

American artist Al Held (1928–2005) was an abstract painter, most famous for his large-scale, geometric works. His paintings are full of circles, squares, cubes, and other geometric shapes and forms that overlap. In the painting below, he used a masking technique to create lines with sharp edges. He masked (covered) the white sections with tape and painted the remaining sections black.

Here’s how you can make your own geometric painting using materials you may already have at home:

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Art Behind the Scenes

We’re Keeping the Lights On for You (but only figuratively speaking)

Lifelike Janitor sculpture leaning against a wall and a black and white portrait drawing of a woman
The building is eerily quiet, but Duane Hanson’s “Janitor” keeps continual watch over the Museum.

As we wait to welcome you back to the Museum, work continues behind the scenes. In the conservation department, we prepare for many different disaster scenarios that might potentially strike our collection. Fire, flood, insect infestations, mold, and even terrorism are all covered in the Museum’s Emergency Preparedness Plan; COVID-19 and Wisconsin’s Safer at Home order are not. Having the Museum closed to the public for an extended period presented us with an entirely new set of challenges.

Categories
Art Collection Collection Reflection Curatorial Prints and Drawings

Collection Reflection: Associate Curator Nikki Otten on Odilon Redon

Multi-colored flowers in a blue vase
Odilon Redon (French, 1840–1916), Vase of Flowers, 1900/16 (detail). Pastel on paper. 35 × 28 in. (88.9 × 71.12 cm). Purchase, Marjorie Tiefenthaler Bequest and partial gift of Louise Uihlein Snell Fund of the Greater Milwaukee Foundation M1996.37. Photo by Larry Sanders

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

In this first iteration, we examine the notion of still life as it has been treated in artwork across time.