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Art Collection Curatorial European

From the Collection–Miss Frances Lee by Francis Cotes

Francis Cotes (English, 1726-1770), Portrait of Miss Frances Lee, 1769. Milwaukee Art Museum, Gift of Mr. and Mrs. William D. Vogel M1964.5. Photo by Larry Sanders.

The Milwaukee Art Museum has in its collection a beautiful portrait by Francis Cotes, one of the highlights of the Museum’s Gallery of 18th century English and Italian Works (gallery #7, main level).

Cotes’ story is an interesting one.  Francis Cotes’ (English, 1726–1770) fame as a portrait painter in eighteenth-century England was surpassed only by that of Sir Joshua Reynolds and Thomas Gainsborough—and many feel that if he had not died so early in his career at age 44, his name would not have faded into obscurity.

Cotes was particularly talented in working with pastel, evident even in his oil paintings which use bright yet delicate colors and contrasting textures.  Examples of pastels by Cotes are at the Cleveland Museum of Art and in The Frick Collection.  Some oil paintings by Cotes are in the Tate, the Metropolitan Museum of Art, the Museum of Fine Arts in Boston, and the National Museum of Wales.

Cotes was particularly successful with likenesses of children, since they have an unaffected immediacy lacking in the more formal, decoratively detailed society portraits.  Portraits of children can be found at the J. Paul Getty Museum and the Speed Museum of Art.

Categories
Art Collection Curatorial European

From the Collection—Portrait by Carl Christian Vogel von Vogelstein

In 1988, the Milwaukee Art Museum purchased a painting by Carl Christian Vogel von Vogelstein, one of the most important German portraitists of the early 19th century. Up until that point, most of the paintings in the Museum’s German collection were from the second half of the 19th century, so this was a significant acquisition.  You can find it on the bright blue wall in Gallery 9.

The portrait is a fantastic example of German neoclassical style blended with Biedermeier attention to detail. The upper-class gentleman, dressed expensively and with his jewelry prominently displayed, sits comfortably in an elaborately carved chair. The chair, with a griffin as the armrest, is gilded and upholstered in dark blue—an interpretation of ancient Roman furniture. Behind him is a gilded desk with marble top, again a quote from the ancient world, and a window with a luxurious dark red velvet curtain pulled up to show a city in the distance. The sitter is well-educated, shown by the books spread out on the table and the roll of paper with writing in his hand. He also wears the Maltese Cross on his jacket.

The question is, who is this man?

Categories
Art Collection Curatorial European

From the Collection–English Monteith

George Garthorne (English), Monteith, 1688. Milwaukee Art Museum, Purchase, Virginia Booth Vogel Acquisition Fund. Photo by John R. Glembin.

‘Tis the spirit! There are spirits of Christmas past, jolly good tidings and spirits of the season, and then my favorite type of holiday spirits: The beer, liquors, and wines that keep us jolly through office parties and family reunions.

In what started as a playful nod to seasonal parties, I thought I’d highlight a late 17th-century silver monteith in the Museum’s Collection. But what started as a jolly excuse to talk about wine consumption then and now soon turned dark, as often happens when you dig deeper into the layered meanings of cultural objects.