George Inness (American, 1825–1894), Autumn by the Sea, 1875. Oil on canvas. Milwaukee Art Museum, Bequest of Catherine Jean Quirk M1989.61. Photo credit: John Glembin
George Inness (1825-1894), one of the most celebrated artists of the Hudson River School, captured the beauty of the American landscape in his paintings.
The Milwaukee Art Museum is lucky enough to have two paintings by Inness on display: Autumn by the Sea and Sunset in Georgia. I will use these works to show how Inness mastered the themes of the Hudson River School painters, but made them his own.
The current exhibition in the European works on paper rotation space (on view until July 31) is Anders Zorn: Sweden’s Painter-Etcher. Featuring all 18 prints in the Milwaukee Art Museum’s collection by Zorn, this is the first time ever that they have been on view at the same time. This is the fifth and final in a series of posts focusing on the exhibition.
Anders Leonard Zorn (Swedish, 1860–1920), Dal River (Dalälven), 1919. Etching, roulette, drypoint, and engraving. Milwaukee Art Museum, Gift of Mr. Lindsay Hoben M1966.111. Photo credit: John R. Glembin
This week, we’ll wrap up our consideration of the prints of Anders Zorn with a look at one of his favorite subjects: the female nude.
In 1888, Zorn became one of the first artists to paint nude women outdoors in a publicly accessible setting. Before this time, if an artist wanted to show a nude out-of-doors, the proper thing was to sketch or paint the outdoor setting and then add the nude from a model later in the privacy of the studio.
Warrington Colescott (American, b. 1921), Suite Louisiana: The Music of the Folks, 1996. Color soft-ground etching, aquatint, and spit bite, with à la poupée inking, and relief rolls through stencils. Milwaukee Art Museum, Gift of the artist and Frances Myers M2004.538. Photo credit: Michael Tropea © Warrington Colescott
Milwaukee has earned the title “City of Festivals,” and for very good reason. If you are looking to celebrate music, art, film, cultural heritage, specific holidays or simply a love of craft beer, Milwaukee has a festival for you!
In the summer months, when Wisconsin weather is arguably most pleasant for those outdoor activities that do not require snowsuits, you might even find yourself at a different festival every weekend. The Milwaukee Art Museum itself contributes to the city’s lively “festival culture” by hosting the Lakefront Festival of Art every June.
To coincide with the height of our local festival season, I’ve selected some works from the Museum’s collection for their visual resemblance to some of Milwaukee’s most popular upcoming summer festivals. Have fun!
The current exhibition in the European works on paper rotation space (on view until July 31) is Anders Zorn: Sweden’s Painter-Etcher. Featuring all 18 prints in the Milwaukee Art Museum’s collection by Zorn, this is the first time ever that they have been on view at the same time. This is the fourth in a series of posts focusing on the exhibition.
Anders Leonard Zorn (Swedish, 1860–1920), Skerikulla, 1912. Etching and engraving. Milwaukee Art Museum, Gertrude Nunnemacher Schuchardt Collection, presented by William H. Schuchardt M1924.140. Photo credit: John R. Glembin.
So far, in our most recent series of posts, we have seen that, in the 1880’s, the lively cultural scene in newly urban Paris not only inspired Anders Zorn to adopt a modern artistic sensibility but also provided him with modern subject matter. In 1896, however, Zorn and his wife decided to move their permanent residence from Paris back to their native Sweden.
American artist Thomas Hart Benton continues to be praised for his ability to translate the dynamism of a major motion picture onto a two-dimensional canvas. Having worked directly on film sets, Benton captured the entire production process and behind-the-scenes culture of Hollywood. To him, the movie industry was “very much American” and significantly focused on real-world themes such as war and the quest to achieve the “American dream.”
To accompany the Museum’s feature exhibition of Benton’s work, American Epics: Thomas Hart Benton and Hollywood, the Museum is screening four of the films that inspired the artist’s vibrant, dramatized pieces.