From the Collection: Bacchanals by Jean-Honoré Fragonard

The current exhibition in the European works on paper rotation space (on view until April 2) is Gods and Heroes: Classical Mythology in European Prints. The show features 21 prints that cover the Renaissance through the early twentieth century and are by artists from Germany, Holland, France, Italy, and England. Each print offers insight into why European artists used the narratives of classical mythology. This is the first in a series of posts focusing on the exhibition.

Jean-Honoré Fragonard (French, 1732–1806), Nymph Supported by Two Satyrs, from the series Bacchanals, 1763. Etching. Plate and sheet: 5 7/16 × 8 1/8 in. (13.81 × 20.64 cm). Milwaukee Art Museum, Gift of the DASS Fund M2010.65.1. Photo credit: John R. Glembin.

Jean-Honoré Fragonard (French, 1732–1806), Nymph Supported by Two Satyrs, from the series Bacchanals, 1763. Etching. Plate and sheet: 5 7/16 × 8 1/8 in. (13.81 × 20.64 cm). Milwaukee Art Museum, Gift of the DASS Fund M2010.65.1. Photo credit: John R. Glembin.

For most visitors to the Milwaukee Art Museum, the French artist Jean-Honoré Fragonard (1732–1806) is known as a painter. He painted The Shepherdess (pictured below), which is the focal point of our Rococo gallery.

And it is the centerpiece of this gallery for good reason! It is a perfect example of the elegant and amorous style so popular in eighteenth century France.

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From the Vault: Rubber Stamp Portfolio, 1977

Tom Wesselmann (American, 1931–2004), Shiny Nude, from the Rubber Stamp Portfolio, 1976, published 1977. Rubber stamp print, printed in color. Image: 5 7/8 × 5 11/16 in. (14.92 × 14.45 cm); sheet: 8 × 8 in. (20.32 × 20.32 cm). Gift of Virginia M. and J. Thomas Maher III M1994.263.1. © Estate of Tom Wesselmann/Licensed by VAGA, New York, NY.

Tom Wesselmann (American, 1931–2004), Shiny Nude, from the Rubber Stamp Portfolio, 1976, published 1977. Rubber stamp print, printed in color. Image: 5 7/8 × 5 11/16 in. (14.92 × 14.45 cm); sheet: 8 × 8 in. (20.32 × 20.32 cm). Gift of Virginia M. and J. Thomas Maher III M1994.263.1. © Estate of Tom Wesselmann/Licensed by VAGA, New York, NY.

As the Collections Manager of Works on Paper, one of my duties is to facilitate the movement of the prints, drawings and photography in the collection for exhibitions, rotations, loans and viewings for researchers in the Herzfeld Study Center.

Our works on paper storage vault is organized into logical, easy-to-use groupings by size, century, nationality and then by artist’s last name (OK; it’s highly organized).

While pulling a print to go on view in the galleries, I stumbled upon a print by Carl Andre from a portfolio that I have never worked with before.

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MAM’s THE WORD

mamsthewordTEEN ADVISORY COUNCIL PRESENTS
ART NEWS FOR TEENS BY TEENS
NOVEMBER 2016 – Fall Edition, Issue #1

MAM’s THE WORD is a newsletter produced by the Milwaukee Art Museum’s Teen Advisory Council for teens who want to learn more about the arts in Milwaukee and be engaged with thoughts and ideas. It features our own creative work, opinions, and responses to the Museum, our community, and our world.

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From the Collection: Monumental Orientalist Vase

Designed by Louis-Constant Sévin (French, 1821–1881) and Manufactured by Firm of F. Barbedienne (French, 1858–1955), Monumental Ormolu-Mounted Enamel Vase, 1867. Copper, gilt bronze, and cloisonné enamel. 30 1/2 × 12 in. (77.47 × 30.48 cm). Milwaukee Art Museum, Purchase, with funds from Avis Martin Heller in honor of the Fine Arts Society and the Fine Arts Society in memory of Jane and Donald Doud M2014.10. Photo credit: Photograph courtesy of H. Blairman & Sons Ltd, London.

Designed by Louis-Constant Sévin (French, 1821–1881) and Manufactured by Firm of F. Barbedienne (French, 1858–1955), Monumental Ormolu-Mounted Enamel Vase, 1867. Copper, gilt bronze, and cloisonné enamel. 30 1/2 × 12 in. (77.47 × 30.48 cm). Milwaukee Art Museum, Purchase, with funds from Avis Martin Heller in honor of the Fine Arts Society and the Fine Arts Society in memory of Jane and Donald Doud M2014.10. Photo credit: Photograph courtesy of H. Blairman & Sons Ltd, London.

 

You may  have noticed that some of our past “From the Collection” posts have highlighted new acquisitions.  Just in the last year we explored a pair of paintings by Alexandre Cabanel and a painting by Franz Ittenbach.

When museum curators buy new artwork for the collection, they often look for things that will make a strength of the collection stronger or fill a gap in an important story we want to tell.

One recent acquisition that does both of these things is a Monumental Ormolu-Mounted Enamel Vase created in France in 1867.

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From the Collection: A Pair of Paintings by Alexandre Cabanel

Alexandre Cabanel (French, 1823–1889), Saint Monica in a Landscape, 1845. Oil on canvas. Milwaukee Art Museum, Purchase, with funds from Avis Martin Heller in honor of the Fine Arts Society and funds from the Fine Arts Society M2014.9 Photo credit: Jack Kilgore & Co, Inc.

Alexandre Cabanel (French, 1823–1889), Saint Monica in a Landscape, 1845. Oil on canvas. Milwaukee Art Museum, Purchase, with funds from Avis Martin Heller in honor of the Fine Arts Society and funds from the Fine Arts Society M2014.9 Photo credit: Jack Kilgore & Co, Inc.

What makes an artist influential? Most would say it the art he or she creates, because most likely that artwork was created in some sort of special way. And although that is true, I would argue that that is only part of the story. Let me show you what I mean. Continue reading

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