Nearly forty years ago, in 1981, a group of twelve Museum Members with an interest in prints and drawings established Print Forum. George Evans and Kent Anderson served as the group’s first president and vice-president, respectively. One of the Museum’s nine currently active support groups, Print Forum is among the longest standing.
When I returned to the Milwaukee Art Museum after the state’s Safer at Home order, one of the first things I did was visit an old friend: Saint Francis of Assisi in His Tomb (1630/34) by the Spanish artist Francisco de Zurbarán. I’ve walked by the painting nearly every workday in my time at the Museum, but never have I been more appreciative of its quiet contemplativeness and the sense of stability it brings me. Indeed, the painting is such a fixture of the Museum that it is hard to imagine that it was ever not here, that it lived in three different countries, across two continents, before arriving in Milwaukee.
We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.
English history can appear to be a long list of kings and queens with the same names. The queen that most of us are familiar with today is Queen Elizabeth II. The first and only other Queen Elizabeth ruled from 1558 to 1603.
When you look at the painting below, what do you see? American artist Helen Frankenthaler (1928–2011) was an Abstract Expressionist; these artists used line, shape, and color to express themselves.
Frankenthaler invented her own painting technique, which she called “soak staining.” First, she added turpentine to her oil paints to make them thinner (and very runny!). Then, she laid a cotton canvas flat on the floor, and poured, dripped, and brushed the paint onto its surface. Since her canvases were unprimed, or raw, the paint soaked into the fabric.
We commonly refer to dogs as everyone’s best friend, and for me, that’s true. But I have many other best friends, too, including my cat, my rabbit, and some nice people. Each has their own unique personality. Artworks can also have unique “personalities,” or styles. Artistic styles help us explain how artworks look and how they were made. There are many different styles of art.
Alex Katz’s Sunny #4, a larger-than-life portrait of the artist’s dog, is painted in the Pop Art style. Pop artists often used bold lines, flat shapes, and vivid colors in their artworks. Here, Katz used long, straight brushstrokes to paint Sunny’s hair, and for Sunny’s tongue, he painted a flat, pink rectangle.
Let’s make our own drawings inspired by Sunny!
JULY 25–26, 2020
This weekend, take to your sidewalks, driveways, and parking lots to create bright, joyful chalk art! We’re joining with the Museum of Wisconsin Art (MOWA) and many other arts organizations throughout the state to encourage a weekend of outdoor art making. Spread positive messages to family, friends, and neighbors—or create your own masterpiece, inspired by works in the Museum’s collection!
Many famous artists have used chalk to make both sketches and finished works of art. To create the drawing below, Pablo Picasso (1881–1973) used pastels. Pastels are made from pigment, or color, and chalk; the two are blended and held together with a binder. Picasso’s pastel drawing of a rooster shows many of the special things you can do with this material. Use sidewalk chalk to make a drawing outdoors. Save pastels for drawing on paper!
Here are some tips and tricks for working with chalk and pastels:
Sunny #4 by Alex Katz is one of the most beloved pieces in the Milwaukee Art Museum’s collection. Many visitors make sure to visit Sunny every time they come into the galleries.
Who wouldn’t love this sweet face?
While the Museum was closed, our artworks felt very lonely—and Sunny was no exception! When we heard how much he missed his regular visitors, we knew we had to do something. For the entire month of June, we opened the Museum’s mailbox to messages and drawings for Milwaukee’s most popular pup.
The artistic talent of Lois Mailou Jones (1905–1998) was recognized at an early age. She received a wide range of encouragement, including scholarships to the School of the Museum of Fine Arts, in her native Boston, and after graduating with honors, she assumed teaching was a likely next step. But, in what was the first of several rejections in an openly racist society, she was told to go south and help “her people.”
Make moving art inspired by the kinetic sculpture of Harry Bertoia.