MAM Behind-the-Scenes: Eric Boehle, Comptroller

Erich Boehle, Comptroller. Photo by the author

Erich Boehle, Comptroller. Photo by the author

This is the fifth in a series of blog posts highlighting a variety of different positions within the Milwaukee Art Museum. Each day, hundreds of visitors enter the Milwaukee Art Museum to stare in awe at the incredible wealth of artworks within the museum’s collection. But what can too often go unrecognized is the equally awe-inspiring work of the many museum staff members, without whom the museum in its current state could not exist. “MAM Behind the Scenes” is a blog series written by Digital Learning intern Emma Fallone to showcase the wide range of positions that make up a museum, and to reveal just a few of the many people whose work makes the Milwaukee Art Museum a source of inspiration and education.

Can you give a brief description of your job, in thirty seconds or less?
My job is to maintain the financial assets of the Milwaukee Art Museum in a secure fashion. My primary role is to ensure that there are proper controls in place, so that the museum’s assets stay safe. “Proper controls” consist of management oversight and reviews of all of the documentation that we process – ticket receipts, store sales, café sales, and so on. We monitor all of their activity to make sure that they are generating revenue and to ensure that they are in compliance with all of the necessary regulations. So, we really control the financial assets of the museum. Continue reading

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From the Collection–Taxi Ride to Sarah’s Studio by Jim Campbell

Jim Campbell (American, b. 1956), Taxi Ride to Sarah's Studio, 2010. LEDs, wire, custom electronics. Milwaukee Art Museum, purchase, with funds from the Contemporary Art Society, M2011.25. Photo credit: John R. Glembin. © Jim Campbell

Jim Campbell (American, b. 1956), Taxi Ride to Sarah’s Studio, 2010. LEDs, wire, custom electronics. Milwaukee Art Museum, purchase, with funds from the Contemporary Art Society, M2011.25. Photo credit: John R. Glembin. © Jim Campbell

It’s not unusual to see the work of an engineer at an art museum–especially here in Milwaukee. From the first step under the stunning Brise Soleil in the Quadracci Pavilion of the Milwaukee Art Museum, it becomes clear that an incredible mind must have devised this unique building. But what you may not know is that inside this engineering marvel, there is artwork by another artist with an engineering background: Jim Campbell’s Taxi Ride to Sarah’s Studio. Continue reading

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MAM Behind the Scenes: Tanya Paul, Curator of European Art

Tanya Paul, Isabel and Alfred Bader Curator of European Art

Tanya Paul, Isabel and Alfred Bader Curator of European Art

This is the fourth in a series of blog posts highlighting a variety of different positions within the Milwaukee Art Museum. Each day, hundreds of visitors enter the Milwaukee Art Museum to stare in awe at the incredible wealth of artworks within the museum’s collection. But what can too often go unrecognized is the equally awe-inspiring work of the many museum staff members, without whom the museum in its current state could not exist. “MAM Behind the Scenes” is a blog series written by Digital Learning intern Emma Fallone to showcase the wide range of positions that make up a museum, and to reveal just a few of the many people whose work makes the Milwaukee Art Museum a source of inspiration and education.

Can you give a brief description of your job, in thirty seconds or less?
As a curator, I do many different things. I work on everything from research and building the permanent collection, to working on exhibitions, to the display of the permanent collection – and that’s one of the big projects we’re working on now, the renovation and re-installation of the collection. Continue reading

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German Tankards and Steins: Part 4—Porcelain

Meissen Porcelain Manufactory (Dresden, Germany, established 1710), Possibly Johann Gregorius Horoldt (German, 1696-1775), Tankard, ca. 1725. Glazed porcelain, polychrome overglaze decoration, gilding, and brass. Milwaukee Art Museum, Gift of the René von Schleinitz Foundation, M1962.1035. Photo: John R. Glembin

Meissen Porcelain Manufactory (Dresden, Germany, established 1710), Possibly Johann Gregorius Horoldt (German, 1696-1775), Tankard, ca. 1725. Glazed porcelain, polychrome overglaze decoration, gilding, and brass. Milwaukee Art Museum, Gift of the René von Schleinitz Foundation, M1962.1035. Photo: John R. Glembin

Last month, we demystified tin-glazed earthenware while putting it into a historical context. This month, we’ll figure out the magic behind the material that tin-glazed earthenware attempted to fill in for: porcelain.

Introduced to Europe from China in the fourteenth century, porcelain was the most elegant and fascinating of materials. It was pristine, white yet translucent, and although it was thin and light-weight, it was also amazingly strong and durable. In other words, it was everything that tin-glazed earthenware and stoneware was not. Continue reading

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MAM Behind the Scenes: George Rebicek, Lead Security Officer

George Rebicek, Lead Officer. Photo by the author

George Rebicek, Lead Officer. Photo by the author

This is the third in a series of blog posts highlighting a variety of different positions within the Milwaukee Art Museum. Each day, hundreds of visitors enter the Milwaukee Art Museum to stare in awe at the incredible wealth of artworks within the museum’s collection. But what can too often go unrecognized is the equally awe-inspiring work of the many museum staff members, without whom the museum in its current state could not exist. “MAM Behind the Scenes” is a blog series written by Digital Learning intern Emma Fallone to showcase the wide range of positions that make up a museum, and to reveal just a few of the many people whose work makes the Milwaukee Art Museum a source of inspiration and education.

Can you give a brief description of your job, in thirty seconds or less?
Our team is here to secure the people, the art, and the building – which can mean something slightly different each day. There are always different challenges to address. And, a large part of our job is also customer service: helping people to find the restroom, or locate a favorite work of art. We’re there to help the visitors. Continue reading

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