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- From the Collection–Christopher Dresser, Pitcher and Claret Jug
- From the Collection–Meissen Porcelain Manufactory, Two-Handled Urn
- From the Collection–G. H. van Hengel, Jr., Chandelier
- From the Collection–Meissen Porcelain Manufactory, Augustus III, King of Poland
- From the Collection–George Vicat Cole, At Arundel, Sussex
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ArtXpress high school program in 2013, and is a recent multi-award winner for the national Scholastic Art Awards, on view at the Museum through March 22. ArtXpress is a summer studio internship program for teens, who take inspiration from the Museum’s feature exhibition to create a mural that positively addresses a community issue and is displayed for a year as an advertisement on a Milwaukee County public bus. The Scholastic Art Awards is a national program that has encouraged the artistic endeavors of young people throughout the United States for over eighty-five years. Continue readingThe Museum has offered teen programs that change the lives of young people for over thirty years. I’m thrilled to feature an interview with one program alum, Jesús Hilario, who is a senior in high school at Rufus King High School in Milwaukee. Jesús was an intern in the Museum’s
Hangout with Art is a completely free MOOC (massive open online course) whose goal is to help participants find new ways to engage with art and get more comfortable visiting museums. The course went live earlier this month and I thought this might be a good moment to share more about the MOOC here on our blog.I’m thrilled to share that the Museum launched its first online course this month!
Last time, we looked at the historical context for artwork in late nineteenth century Germany. In 1871, Germany officially became a unified country. This time, we’ll look at the cultural ramifications of the unification and how it impacted art.
Although German-speaking princes had been allied for centuries, the individual provinces needed to strengthen their commitment in order to counter military and economic competition from other countries such as Austria and France. But just because the people in the new country spoke German and shared much in the way of their cultural identity didn’t mean that they felt like a big happy family. And the disruptive forces of the industrial revolution did nothing to help the sense of confusion and frustration.
The people of the German Empire needed to ask themselves: what does it mean to be German? The imagery on Mettlach steins of the time offers some interesting answers to that question. Continue reading
Over the past year, we’ve taken a look at some of the German drinking vessels in the Milwaukee Art Museum’s collection. The subjects have ranged from luxurious silver tankards to early stoneware vessels, and from high-quality Meissen porcelain to the prized tin-glazed earthenware that was developed to mimic it.
Now we’ve come to the end of the 19th century, the time of the most dramatic changes for the German drinking vessels. This was due to a powerful combination of events.