This past weekend, I was proud to present a paper at the American Ceramic Circle’s annual symposium on an exhibition topic I’m developing. I spoke about a German designer named Grete Marks who made radical and beautiful ceramics—designs that the Nazi government called “degenerate.”
Check out this article in The New York Times blog about a major work by an artist in the Museum’s Collection, Harry Bertoia (American, b. Italy, 1915–1978). You can see several of his works in person in the Museum’s Bradley Collection of Modern Art on the Upper Level.
Here’s the link: