20th and 21st Century Design Art Curatorial Exhibitions

Jaime Hayon: Technicolor

White ceramic bowl with green embroidery
Hella Jongerius, (Dutch, b. 1963), produced by Royal Tichelaar Makkum (Makkum, Netherlands, founded 1572), Bowl, from the collection Repeat, 2002. Porcelain and cotton. Milwaukee Art Museum. Purchase, with funds from the Demmer Charitable Trust, M2015.12.
Installation view of Jaime Hayon: Technicolor, Milwaukee Art Museum, 2017. Photo by John R. Glembin.
Installation view of Jaime Hayon: Technicolor, Milwaukee Art Museum, 2017. Photo by John R. Glembin.

On view now through March 25th in the Bradley Family Gallery, Jaime Hayon: Technicolor brightens up wintertime in Milwaukee with a colorful splash of fun and fantasy. The energetic exhibition features work from two decades of the Spanish artist-designer’s career, including textiles, ceramics, glass, drawings, and playground equipment. These works represent a wide range of approaches to making, thinking, and viewing, while also remaining unified by a refreshing sense of playful whimsy.

Jaime Hayon trained in his native Madrid and in Paris before directing the design department at Fabrica, the Benetton-funded design and communication academy in Italy, for nearly a decade. In 2003, he left Fabrica to focus on his own studio practice. Hayon Studio now has offices in Italy, Spain, and Japan and is acclaimed worldwide.

Art Curatorial

From the Collection—Bengtsson’s Slice Chair

Mathias Bengtsson (Danish, b. 1971) Slice Chair, 1999 Aluminum 29 1/2 x 35 x 29 in. (74.93 x 88.9 x 73.66 cm) Gift of Friends of Art M2011.11 Photo credit John R. Glembin © Mathias Bengtsson, Courtesy of Industry Gallery
Mathias Bengtsson (Danish, b. 1971), Slice Chair, 1999. Aluminum; 29 1/2 x 35 x 29 in. Milwaukee Art Museum, Gift of Friends of Art M2011.11. Photo credit John R. Glembin. © Mathias Bengtsson, Courtesy of Industry Gallery.

In honor of last week’s opening of European Design Since 1985: Shaping the New Century, I thought I’d share a bit about why the Museum has used this striking aluminum chair so heavily in the exhibition’s marketing.

You saw this chair’s curves on banners and the cover of the MAM Insider (the Museum’s Member magazine), all over the Museum’s exhibition website, and even on little details like admission vouchers.

As a lover of beautiful things, I’m drawn to the dazzling shimmer of the aluminum surface and the undulating form of this design.

As a curator who loves to talk about art, I’m also drawn to the ideas behind the chair. I feel like you could talk about this chair all day.