Categories
Curatorial

Exploring The Body Politic

Have you ever been downstairs at the Milwaukee Art Museum? If you haven’t, next time you visit the Museum, walk by the contemporary art, as if going towards the Warrington Colescott exhibition. On the way, you will find a staircase punctuated by a hypnotic video drawing you downstairs. There you will find the interactive Chair Park made up of various reproductions of historical chairs, which you can sit on, relax, and experience fully as you converse with others sitting around you. You will also find the Word Cloud, a social tagging experiment that asks you to describe three seemingly disparate pieces with one word. Continuing east, you will come upon a small installation titled The Body Politic.

Categories
Curatorial Library/Archives

From the Library and the Archives

Everyone knows what a library is. But did you know that most art museums have their own libraries? And they’re not just for Museum staff–they’re for anyone and everyone who is interested in looking at anything from an exhibition catalogue for the artist George Catlin from 1848, to a letter from Georgia O’Keeffe from 1972. The Milwaukee Art Museum’s library, tucked within the Saarinen building, is a treasure trove of anything and everything to do with our Collection.

Categories
Art Curatorial

From the Collection— Tiffany gold Tea Service

In any museum gallery, you will encounter rare and valuable pieces of art. We value well-designed objects for many reasons, including for their materials and craft, their aesthetic design, and sometimes the people associated with them. This luxurious Tiffany & Co. Tea Service from 1905 is a rare object with incredible value in all three categories.

Categories
Behind the Scenes Curatorial

Layers of Exhibition Paint

Between each exhibition in the Museum’s Baker/Rowland Galleries, the walls are entirely rearranged. This past weekend, I watched (bringing donuts, getting in the way, occasionally being helpful) as the installation crew moved walls and started spackling and painting in preparation for European Design Since 1985: Shaping the New Century.

As the team moved large 12 foot x 10 foot x 2 foot wall sections from their American Quilts exhibition layout into the new European Design arrangement, I was surprised at what was revealed behind—layers and layers of paint that colorfully represents our exhibition history.

Categories
Curatorial

Ask a Curator Day

Robert Gober (American, b. 1954) Untitled, 1997. Photo credit courtesy of Robert Gober Studio © Robert Gober, courtesy of Matthew Marks Gallery
Robert Gober (American, b. 1954) Untitled, 1997. Photo credit courtesy of Robert Gober Studio © Robert Gober, courtesy of Matthew Marks Gallery

Does the Museum show work by Wisconsin artists? What’s the deal with frames? What’s the piece that has a hole in the floor? How do curators deal with new technology? Any ancient Chinese paintings? And the all-important question: are we hiring? These are just a sampling of the many juicy questions asked by visitors on Ask a Curator Day, last week.