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Art Collection Reflection Curatorial

Collection Reflection: Associate Curator Nikki Otten on Odilon Redon

We invite you to join us as each curator focuses on a single work of art, exploring both that object and how the object speaks to the collection as a whole, as well as to the chosen theme in particular.

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Art Behind the Scenes Curatorial

The Curators’ Game: Collection Rotation

Hiroshi Sugimoto, Tasman Sea, Ngarupupu, 1990. Gelatin silver print. Purchase, Richard and Ethel Herzfeld Foundation Acquisition Fund, M2001.154. Copy photo by John R. Glembin.

What happens when a group of curators following the Safer at Home order plays a game with works from the Museum’s collection? You’re about to find out.

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Art Exhibitions

A Modern Vision and a Story of Collecting

Paul Cézanne, Ginger Pot with Pomegranate and Pears, 1893. Oil on canvas. 18 1/4 × 21 7/8 in. The Phillips Collection, Washington, DC. Gift of Gifford Phillips in memory of his father, James Laughlin Phillips, 1939.

The works by Degas, van Gogh, Bonnard, Modigliani, and others on view in the Modern Vision exhibition are from The Phillips Collection and reflect the lifelong collecting efforts of Duncan Phillips, who developed an interest in art at an early age. A five-part podcast on collectors and collecting produced in conjunction with the exhibition reveals that Phillips worked in concert with his wife, Marjorie, herself an artist, whom he met shortly before he opened his museum. She became the deputy director of the museum and, after Duncan’s death, went on to become its director.

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Art Art News

Announcing the Museum’s Strategic Direction

FRPhoto_190721E_C1_049This is your art museum. And I am delighted and proud to share with you today that we have set course on a direction that allows us to respond to our changing times and makes it possible for you, your friends, family—all people—to see yourselves at the Museum and better understand your world through the art we hold in public trust for you.

The Museum’s staff, board, and volunteers, together with the Museum community, committed more than a year to ask the hard questions, consult with peer institutions, and study today’s evolving landscape to shape this new strategic direction, a framework for the Museum moving forward. We last released what we referred to then as a strategic plan in 2006. This is an exciting moment. Yet I want to be clear: our work does not end here. We now call on your active involvement to ensure we continue to make progress—and do so boldly.

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Art Art News

Remembering Dr. Alfred Bader

Bader in Office
Photo of Dr. Alfred Bader by David Bader Photography

There is never a good time to write about the loss of a friend. And though I knew him for only a short time, Dr. Alfred Bader was a friend to us all in the Milwaukee Art Museum family. News of his passing, on December 23, brought a weighted pause to the celebrations this past holiday season. Articles in the Journal Sentinel and Business Journal cover the biography and accomplishments of Dr. Bader—chemist, businessman, and philanthropist—a man who helped build Milwaukee’s industry and enrich its culture. It is as an avid collector and supporter of art that Dr. Bader will forever be honored at the Museum. First becoming a Member in 1952, he was instrumental to the Museum and, specifically, its European art collection. More than half a century later, his legacy includes the thirty exquisite works he gifted to the Museum and the endowment of the position of Isabel and Alfred Bader Curator of European Art—a post currently held by Tanya Paul. Dr. Bader once said that his passion for collecting “began with stamps at 8, drawings at 10, paintings at 20, and rare chemicals at 30.” Our experiences of Baroque art are richer for his inveterate collecting.