Installing the 2014 Scholastic Art Awards

Work in progress: Supplies for installing the 2014 Scholastic Art Awards. Photo by Chelsea Emelie Kelly

Work in progress: Supplies for installing the 2014 Scholastic Art Awards. Photo by Chelsea Emelie Kelly

Picture this: Fall semester, high school years. You eagerly await your first art assignment, hoping to be given the added bonus of self-expression. A few weeks pass and you hand in your artwork, hoping it might be considered by your teacher for submission to the Scholastic Art Awards jurying process. Fast forward a few months–the jurying has been completed and… Congratulations! Your piece has been given a Gold Key award. You mark the Awards Ceremony date on your calendar, where your artwork will be on display at the Milwaukee Art Museum, and then… you wait.

But ever wonder what happens to your work while you’re waiting? Let’s take a look at the behind-the-scenes portion of the whole process. Continue reading

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From the Collection–Virgin and Child by Nardo di Cione

Nardo di Cione (Italian, ca. 1320–1365 or 1366), Madonna and Child, ca. 1350. Tempera and gold leaf on panel. 29 1/2 x 19 in. (74.93 x 48.26 cm). Milwaukee Art Museum, Purchase, Myron and Elizabeth P. Laskin Fund, Marjorie Tiefenthaler Bequest, Friends of Art, and Fine Arts Society; and funds from Helen Peter Love, Chapman Foundation, Mr. and Mrs. James K. Heller, Joseph Johnson Charitable Trust, the A. D. Robertson Family, Mr. and Mrs. Donald S. Buzard, the Frederick F. Hansen Family, Dr. and Mrs. Richard Fritz, and June Burke Hansen; with additional support from Dr. and Mrs. Alfred Bader, Dr. Warren Gilson, Mrs. Edward T. Tal, Mr. and Mrs. Richard B. Flagg, Mr. and Mrs. William D. Vogel, Mrs. William D. Kyle, Sr., L. B. Smith, Mrs. Malcolm K. Whyte, Bequest of Catherine Jean Quirk, Mrs. Charles E. Sorenson, Mr. William Stiefel, and Mrs. Adelaide Ott Hayes, by exchange.

Nardo di Cione (Italian, ca. 1320–1365 or 1366), Madonna and Child, ca. 1350. Tempera and gold leaf on panel. 29 1/2 x 19 in. (74.93 x 48.26 cm). Milwaukee Art Museum, Purchase, Myron and Elizabeth P. Laskin Fund, Marjorie Tiefenthaler Bequest, Friends of Art, and Fine Arts Society; and funds from Helen Peter Love, Chapman Foundation, Mr. and Mrs. James K. Heller, Joseph Johnson Charitable Trust, the A. D. Robertson Family, Mr. and Mrs. Donald S. Buzard, the Frederick F. Hansen Family, Dr. and Mrs. Richard Fritz, and June Burke Hansen; with additional support from Dr. and Mrs. Alfred Bader, Dr. Warren Gilson, Mrs. Edward T. Tal, Mr. and Mrs. Richard B. Flagg, Mr. and Mrs. William D. Vogel, Mrs. William D. Kyle, Sr., L. B. Smith, Mrs. Malcolm K. Whyte, Bequest of Catherine Jean Quirk, Mrs. Charles E. Sorenson, Mr. William Stiefel, and Mrs. Adelaide Ott Hayes, by exchange.

As Christmas approaches, it seems appropriate to take a closer look at one of the highlights of the European galleries: Virgin and Child by Nardo di Cione (Italian, ca. 1320–1365 or 1366) in Gallery #4.

Nardo was one of three artist brothers with a workshop in Florence in the mid 14th century. They were well-known not only for church frescos, such as those in the Santa Maria Novella, but also their free-standing panel paintings.

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Mezzanine Rotation–Rembrandt and the Natural World

Installation views of the "Rembrandt and the Natural World" Mezzanine rotation. Photo by the author

Installation views of the “Rembrandt and the Natural World” Mezzanine rotation. Photo by the author

Until February 9, the mezzanine will display works on paper that celebrate the natural world.  You will not only have the opportunity to see a selection of our fantastic Rembrandt etchings and landscapes by other Dutch artists, but you’ll also be able to see how prints from 400 years ago influence contemporary artists. Continue reading

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Behind the Scenes of Illusions: Near and Far

Brigid balancing on the vine. Photo courtesy Brigid Globensky

Brigid balancing on the vine. Photo courtesy Brigid Globensky

We are just a week from opening the new exhibition in the Kohl’s Art Generation Gallery, Illusions: Near and Far! Have you ever wondered how an artist makes a work of art seem “real”? We tell all the tricks of the trade—you’ll get to see just how an artist makes us think we are looking into space when we’re really not. Better yet, you get to make your own magic! Continue reading

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Recap: 30 Americans Sticky Notes

Close up of a post-it note station in 30 Americans.

Close up of a post-it note station in 30 Americans.

This past summer, we hosted 30 Americans, featuring works of art by contemporary African-American artists. The exhibition was, by the numbers, a huge success: we had an attendance goal of 85,140 and our actual attendance was 114,389! But impact goes beyond facts and figures, which is why we wanted to round out our blog posts about the exhibition with a look at a powerful expression of the city that was embedded in the show.

Within the galleries, we included three sticky note stations for folks to anonymously respond to works of art by Gary Simmons, Leonardo Drew, and Lorna Simpson. We have now archived all of the sticky notes for future study, thanks to dedicated staff and volunteers. This post will highlight just a few of the many powerful responses to works of art in photos, plus written reflections about 30 Americans from visitors and Museum staff that we received over the course of the exhibition.

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