Artful Holiday Gifts Galore

Snowy Afternoon OrnamentThe secret is out: museum stores are the savviest shopping destination for unique gifts. Most shopping malls and department stores are so much of the same—let us help you find thoughtful gifts that stand out from the crowd!

The crown jewel in the Museum Store’s gift offerings this year is the wintry, yet vibrant Snowy Afternoon ornament  designed by Milwaukee illustrator Christiane Grauert. This artful ornament celebrates the historic renovation of the Art Museum against a backdrop of the Milwaukee lakefront cityscape…and if you visit the Store on December 3rd  (also a Member Double Discount Day), Grauert will even personalize your ornaments for truly one-of-kind gift-giving.

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Sunny Does Milwaukee

Sunny at Stone Creek CoffeeMAM’s furriest friend, Sunny, from Alex Katz’s popular painting, has emBARKed on a staycation while the Museum undergoes renovations.

Read on to follow his adventure around the Milwaukee area. Then see him again at the Milwaukee Art Museum’s Community Free Day: Fresh Family Fun on Sunday, December 6! Admission to this event is FREE, thanks to Kohl’s!

 

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Questions of Provenance—The Marriage Trap by Jan Victors, Part 4

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

With The Marriage Trap as an example, we have seen that it is an immense task to do provenance research for all paintings that were probably in Europe from 1933 through 1945! Museums, however, have accepted this ongoing project as an important part of the stewardship of their collections.

In this particular instance, at least we know that our painting was processed through the appropriate channels after World War II. It was returned to Austria for restitution to its owner; we do not know who ended up with the painting. All we can do is be transparent about the provenance and hope more information comes to light in the future.

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Questions of Provenance—The Marriage Trap by Jan Victors, Part 3

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

In the last two posts we’ve looked at the earliest known and most recent provenance of our painting The Marriage Trap.

We also know that in 1947 the painting was processed at the Munich Central Collecting Point, or MCCP.

This means that the painting was looted by the Nazis during World War II.

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Questions of Provenance—The Marriage Trap by Jan Victors, Part 2

This post is part of a series that that will highlight some of the interesting provenance cases in the Milwaukee Art Museum’s Collection. 

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

Jan Victors (Dutch, 1619–after 1676), The Marriage Trap, ca. 1640–60. Oil on canvas. Milwaukee Art Museum, Gift of Richard and Erna Flagg M1974.233. Photo credit: John Nienhuis, Dedra Walls.

Last time we looked at The Marriage Trap’s provenance and attribution just before and since its acquisition by the Milwaukee Art Museum. That’s usually the easiest part.

In this post, we’ll see how piecing together the ownership of a painting requires pulling information from a number of sources, thinking critically about what we find, and then sometimes making an educated guess (noted as such, of course). Continue reading

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