- German Tankards and Steins: Part 8–Character Steins | Milwaukee Art Museum Blog on German Tankards and Steins: Part 6–Mettlach and the Germany Identity
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- Tech Talk: What’s On Your Phone, MAM Staff? | Milwaukee Art Museum Blog on Beyond Digital: Open Collections and Cultural Institutions, Part 1
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- From the Collection–Christopher Dresser, Pitcher and Claret Jug
- From the Collection–Meissen Porcelain Manufactory, Two-Handled Urn
- From the Collection–G. H. van Hengel, Jr., Chandelier
- From the Collection–Meissen Porcelain Manufactory, Augustus III, King of Poland
- From the Collection–George Vicat Cole, At Arundel, Sussex
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Art of Writing] conference for middle school students. This is a school program for young authors and artists hosted by the Museum, and it was the first time that I set foot in Milwaukee. The conference was an opportunity to view the permanent art pieces in the galleries, and the goal was to be inspired by an individual piece of art and reminded of a personal story to write about. These stories would then be included in a compiled publication from all the students in attendance. It was a chance to form a connection with the art, and for me was one of the most memorable parts of my middle school career. I remember sitting upstairs among the Bradley Collection, waiting to decide which piece I would choose to write about while looking out at Lake Michigan, feeling a great sense of peace. Continue readingI first started coming to the Milwaukee Art Museum when I was a sixth grader, attending the Wisconsin Writes [ed. note: now called the
This still life is probably one of the only signed paintings by Flemish flower painter Maria-Theresia Thielen. It is truly a jewel of the collection!
Maria-Theresia Thielen was one of three daughters of flower painter Jan Philips van Theilen. Her two sisters also became painters. The skillful and interesting composition of our painting sets it apart from most flower paintings by the Thielen family; this may be why Maria-Theresia prominently signed it here on the pillar. There you can see “M.T. von Thielen” along with F. (for fecit, which is Latin for “made in”), Ano (short for Anno Domini, or A.D.) and the year, 1661. Continue reading
Ready for some more laughs? In this post, we’ll be looking at more German steins meant to be amusing.
The industrial revolution of the nineteenth century meant that more goods could be produced quickly and more people could afford those goods. Developments in the technique for shaping ceramics meant that steins didn’t have to be a standard shape—they could be molded in all sorts of ways. And, in a never-ending quest for novelty, they were! Continue reading
Inspiring Beauty: 50 Years of Ebony Fashion Fair exhibition now on view in the Museum. This exhibit contains nearly 100 outfits and accessories from the Ebony Fashion Fair, an annual fashion event that featured mainly African American models wearing creations from top haute couture international fashion designers. Continue readingI joined the Museum team as a marketing and communication intern near the end of planning for the
We began our discussion with a moment of silence to take in the piece individually. Michelle Erickson packs quite a lot into her small-scale ceramic sculpture, Texas Tea Party—it’s just 8” x 8” x 8”. After a few minutes, I invited the group to share comments, ideas, and thoughts. Although we’ve been in session for a few weeks now, this is our first time as a group discussing a work of art together. Continue reading